| 1 | |
| 2 | == Fattelal, Sheikh (1897-1964) == |
| 3 | |
| 4 | Marathi director and technician. Real name: |
| 5 | Yashin Mistri, aka Sahebmama Fattelal also |
| 6 | spelt Fatehlal. Born in Kagal, Kolhapur. |
| 7 | Belonged to hereditary artisanal caste (Mistri |
| 8 | means ‘ carpenter’, although his father was a |
| 9 | stonemason). Apprenticed to the Kolhapur |
| 10 | artist Abalal Rehman. Lifelong partner of |
| 11 | Vishnupant Damle. Co-disciple with Damle |
| 12 | of Baburao’s technician-artist cousin, Anandrao |
| 13 | Painter. Co-founder of and all-round technician |
| 14 | at Maharashtra Film. Partner and head of art |
| 15 | department at Prabhat where he organised |
| 16 | spectacular sets (e.g. Amritmanthan, 1934). |
| 17 | Debut as co-dir of his only silent film, |
| 18 | Maharathi Karna (1928). Co-directed Saint |
| 19 | films with Damle, including Sant Tukaram |
| 20 | (1936) (for Filmography, see Damle). Also |
| 21 | major achievements as art director: e.g. |
| 22 | Ayodhyecha Raja/Ayodhya Ka Raja, |
| 23 | Maya Machhindra (both 1932), Amar Jyoti |
| 24 | (1936), Kunku/Duniya Na Mane (1937), |
| 25 | Mazha Mulga/Mera Ladka (1938), |
| 26 | Manoos/Admi (1939), Shejari/Padosi |
| 27 | (1941) and Ramshastri (1944). Produced a |
| 28 | film after Damle’s death (1945) for Prabhat; |
| 29 | then solo direction of two features. |
| 30 | |
| 31 | FILMOGRAPHY: 1955: Jagadguru |
| 32 | Shankaracharya; 1956: Ayodhyapati. |