| 1 | '''Shaji Narayanan Karun (b. 1952)''' |
| 2 | |
| 3 | |
| 4 | Malayalam director born in Perinad Taluk, |
| 5 | Quilon district, Kerala. Well-known |
| 6 | cameraman, notably for Aravindan’s films but |
| 7 | also for K.G. George and M.T. Vasudevan |
| 8 | Nair. Graduate from the FTII’s cinematography |
| 9 | course (1974). Directorial début, Piravi, was |
| 10 | widely discussed in India and abroad. His |
| 11 | camerawork (e.g. for Aravindan) virtually |
| 12 | defines the look of Kerala’s New Indian |
| 13 | Cinema with its soft, half-light effects that, in |
| 14 | the black and white period, played a role |
| 15 | reminiscent of Subrata Mitra’s work in 60s |
| 16 | Bengali film. Colour work tends to suppress |
| 17 | primary colours, their harsh introduction |
| 18 | symbolising degeneracy or corruption. Also |
| 19 | made several documentaries, e.g. Kerala |
| 20 | Carnival, Manishada, Drishya Kerala, |
| 21 | Kannikal etc. |
| 22 | |
| 23 | |
| 24 | '''FILMOGRAPHY:''' 1974: Lady of the Landing |
| 25 | (Sh); 1988: Piravi; 1994: Swaham. |
| 26 | |
| 27 | [[Director]] |