| 1 | '''Yuganta''' |
| 2 | |
| 3 | |
| 4 | aka What the Sea Said |
| 5 | 1995 135’ col Bengali |
| 6 | d/s Aparna Sen pc NFDC c A. Shashikant, |
| 7 | Dilip Verma m Jyotishka Dasgupta |
| 8 | lp Anjan Dutta, Rupa Ganguly, Pallavi |
| 9 | Chatterjee, Kunal Mitra |
| 10 | Mapping political and environmental concerns |
| 11 | upon a domestic melodrama, Sen’s most recent |
| 12 | film occasionally borders on the surreal. An |
| 13 | estranged couple, advertising executive |
| 14 | Deepak (Dutta) and classical dancer Anusuya |
| 15 | (Ganguly), return to a fishing village where |
| 16 | they had spent their honeymoon. Their past life |
| 17 | is told through a series of flashbacks, while the |
| 18 | sea, polluted by rampant consumerism, |
| 19 | appears to symbolise their present condition. A |
| 20 | flashback reveals that Anusuya had fought a |
| 21 | major industrial house on behalf of |
| 22 | environmental activists, but later capitulated |
| 23 | when that institution funded her dance school. |
| 24 | ‘Global’ issues such as the gulf war and the rise |
| 25 | of market capitalism are presented as |
| 26 | impacting local and even personal problems. |
| 27 | This relationship is graphically realised in the |
| 28 | film’s end when a blazing sea, into which |
| 29 | Deepak disappears, is connected to the gulf |
| 30 | war oil slick. The apocalyptic end had been |
| 31 | foretold by an old fisherman earlier in the |
| 32 | story. Among those who publicly praised the |
| 33 | film included major Bengali poet Shankho |
| 34 | Ghosh, who commended its poetic sensibility, |
| 35 | and novelist Debesh Roy who noted its |
| 36 | independence from storytelling and Satyajit |
| 37 | Ray-school filmmaking. |
| 38 | |
| 39 | [[Film]] |