| 1 | '''Khandekar, Vishnu Sakharam (1898-1976)''' |
| 2 | |
| 3 | |
| 4 | Influential Marathi writer and essayist born in |
| 5 | Sangli, Maharashtra. Closely associated with the |
| 6 | progressive, secular tradition of the reformist |
| 7 | G.G. Agarkar. A former schoolteacher, his bestknown |
| 8 | novels (Ulka, 1934; Hirva Chafa, 1938; |
| 9 | Pandhre Dhag, 1939) are often deliberately |
| 10 | pedagogical, with characters presented as |
| 11 | social ‘types’ in situations devised as guides to |
| 12 | morally correct behaviour. Wrote several |
| 13 | original scripts, e.g. for Master Vinayak |
| 14 | (Jwala, 1938; Amrit and Junnarkar’s Sangam, |
| 15 | both 1941) some of which he later novelised |
| 16 | (Rikama Devhara based on Devata, 1939; |
| 17 | Sukhacha Shodh, 1939, etc.). His literary world |
| 18 | is ‘peopled on the one side by ambitious men |
| 19 | who have lost their humanity and, on the other, |
| 20 | by the poor [w]ho suffer but never lose their |
| 21 | humaneness; poverty is always perceived as a |
| 22 | social consequence of crippling ambition’ |
| 23 | (Mordekar, Aug 1941). His stories are high |
| 24 | melodrama full of sacrifices bravely borne, |
| 25 | passionate revenge and holy sin in |
| 26 | extraordinarily convoluted plots (Chhaya, |
| 27 | 1936; Mazhe Bal, 1943), exerting a strong |
| 28 | influence in Marathi cinema, e.g. on Raja |
| 29 | Paranjpe/G.D. Madgulkar. Based scripts on |
| 30 | C.V. Joshi’s popular political satires featuring |
| 31 | the bumbling duo Gundyabhau and Chimanrao: Lagna Pahave Karun (1940) and |
| 32 | Sarkari Pahune (1942). Scripted C. |
| 33 | Raghuvir’s Soneri Savli (1953), Madhav |
| 34 | Shinde’s Antaricha Diva (1960), Mansala |
| 35 | Pankh Astaat (1961) and Sunbai (1962; also |
| 36 | providing the lyrics together with Shanta |
| 37 | Shelke). |
| 38 | |
| 39 | [[Writer]] |