| 1 | '''Vijaya Mehta (b. 1934)''' |
| 2 | |
| 3 | |
| 4 | Actress and director born in Baroda, Gujarat. |
| 5 | Graduated from Bombay University; studied |
| 6 | theatre with E. Alkazi in Delhi and with Adi |
| 7 | Marzban. Was Durga Khote’s daughter-in-law, |
| 8 | then widowed at 27 and re-married Farrokh |
| 9 | Mehta who was active on the English amateur |
| 10 | stage. Became a major figure in 60s Marathi |
| 11 | experimental theatre. Founder member of |
| 12 | Rangayan (Est: 1960) with playwright Vijay |
| 13 | Tendulkar, Arvind Deshpande and Shreeram |
| 14 | Lagoo. Stage production of C.T. Khanolkar’s Ek |
| 15 | Shoonya Bajirao (1966) is a landmark in |
| 16 | contemporary Indian theatre. Claims to have |
| 17 | introduced Brecht into Marathi theatre with |
| 18 | adaptation of Caucasian Chalk Circle (Ajab |
| 19 | Nyay Vartulacha), and Ionesco with Chairs |
| 20 | (1962). Helped launch the 70s Chhabildas |
| 21 | theatre movement with her Mahesh |
| 22 | Elkunchwar plays Sultan, Yatanaghar and Holi |
| 23 | (all 1970). Collaborated on Indo-German |
| 24 | theatre projects with German director Fritz |
| 25 | Bennewitz including a traditional performance |
| 26 | of Bhasa’s Mudrarakshasa with German actors. |
| 27 | Except Pestonjee, most of her work consists of |
| 28 | film and TV adaptations of her stage plays: |
| 29 | Haveli Bulund Thi adapted Mahesh |
| 30 | Elkunchwar’s play Wada Chirebandi, and Rao |
| 31 | Saheb is from Jaywant Dalvi’s play Barrister |
| 32 | (1977). |
| 33 | |
| 34 | |
| 35 | '''FILMOGRAPHY''' (* also d): 1980: Kalyug; |
| 36 | 1983: Smritichitre* (TV); 1984: Party; 1986: |
| 37 | Rao Saheb*; Shakuntala* (TV); 1987: |
| 38 | Pestonjee (d only); Sher Shivaji; Hamidabai |
| 39 | Ki Kothi* (TV); Haveli Bulund Thi* (TV); |
| 40 | 1990: Lifeline (TV). |
| 41 | |
| 42 | [[Actor]] |
| 43 | |
| 44 | [[Director]] |