| 1 | '''Vidheyan''' |
| 2 | |
| 3 | |
| 4 | The Servile |
| 5 | 1993 112’ col Malayalam/Kannada |
| 6 | d/s Adoor Gopalakrishnan pc General Pics |
| 7 | p Ravi st Paul Zakaria’s novelette Bhaskar |
| 8 | Pattelar Ente Jeevitham [Bhaskar Pattelar and |
| 9 | My Life] c Ravi Varma m Vijayabhaskar |
| 10 | lp Mammootty, M.R. Gopakumar, Tanvi Azmi, |
| 11 | Savita Anand, Babu Namboodiri, Ravi Vallathol, |
| 12 | P.C. Soman, Aliyar, M.K. Gopalakrishnan, |
| 13 | Krishnankutty Nair |
| 14 | |
| 15 | |
| 16 | Gopalakrishnan’s exploration of the ‘Hegelian’ |
| 17 | master-slave dialectic in a South Karnataka |
| 18 | setting. Bhaskar Pattelar (Mammootty) is the |
| 19 | aggressive, tyrannical, hard-drinking village |
| 20 | landlord whose will is law, while Thomma |
| 21 | (Gopakumar), a Christian migrant labourer |
| 22 | from Kerala, is his timid and fearful but always |
| 23 | loyal slave. Thomma resents the master’s |
| 24 | control, but is always there when required, |
| 25 | whether it is to help murder Bhaskar Pattelar’s |
| 26 | kindly wife, Saroja, or to make his own wife, |
| 27 | Omana, sexually available to the master or to |
| 28 | dynamite the sacred fish in the temple pond, |
| 29 | the temple being the only effective site of |
| 30 | resistance to the landlord’s tyranny. Thomma is |
| 31 | unwilling to join the other villagers’ plot to kill |
| 32 | the tyrant, but exults in freedom when Pattelar |
| 33 | is finally shot dead. The author of the original |
| 34 | story objected to the film’s interpretation of his |
| 35 | work, renewing an old controversy about filmic |
| 36 | adaptations of literary works. |
| 37 | |
| 38 | [[Film]] |