| 1 | '''Veerappan''' |
| 2 | |
| 3 | |
| 4 | 1991 151’ col Kannada |
| 5 | d/s Raveendranath pc Jain Movies p Chandulal |
| 6 | Jain lyr Doddarange Gowda c Mallikarjuna |
| 7 | m Guna Singh |
| 8 | lp Devaraj, Lokesh, Vanita Vasu, Sivakumar, |
| 9 | Manu, Girish, Rajaram, Avinash, Thoogudeepa |
| 10 | Srinivas, Sundarakrishna Urs, Mukhyamantri |
| 11 | Chandru, Mysore Lokesh, Triveni, |
| 12 | Chandrakumari, Leela Basavaraj, Ratnamma, |
| 13 | Sumalatha, Radha, Vijay, Seema, Ravivarma, |
| 14 | B.M. Venkatesh |
| 15 | |
| 16 | |
| 17 | Topical film referring, in part, to notorious reallife |
| 18 | sandalwood smuggler Veerappan, |
| 19 | operating on the Karnataka-Tamil Nadu border, |
| 20 | who hit the news following a series of violent |
| 21 | encounters with the police in the early 90s. |
| 22 | Like crime journalism dramatising the |
| 23 | confrontations between the good and bad |
| 24 | while retaining a veneer of support for the |
| 25 | legal system, the film is formally dedicated to |
| 26 | the police who lost their lives in their efforts to |
| 27 | capture Veerappan. However, it begins with a |
| 28 | scene in which Veerappan (Devaraj) discusses |
| 29 | and gives his approval to the production. A |
| 30 | priest then explains Veerappan’s life as being a |
| 31 | consequence of his impoverished childhood. |
| 32 | This leads to the next character, Nayakan |
| 33 | (Lokesh), formerly Veerappan’s employer, but |
| 34 | now his enemy, who points to the latter’s |
| 35 | Robin Hood-type inclinations. Veerappan’s |
| 36 | revenge for the rape of his sister and his |
| 37 | encounters with the police then follow. The |
| 38 | film ends with a pair of brave police officers |
| 39 | setting out to get him, but he eludes them. |
| 40 | |
| 41 | [[Film]] |