| 1 | '''Vedham Pudithu''' |
| 2 | |
| 3 | |
| 4 | aka New Vedas |
| 5 | 1987 144’ col Tamil |
| 6 | d/sc P. Bharathirajaa pc Janani Art Creations |
| 7 | st/dial K. Kannan from his play Jatikal Illayadi |
| 8 | Papa lyr Vairamuthu c B. Kannan |
| 9 | m Devendran |
| 10 | lp Sathyaraj, Saritha, Raja, Nizhalgal Ravi, |
| 11 | Charuhasan, Amala, Master Dasarathi, |
| 12 | Janakaraj, Veeraraghavan, Srilatha |
| 13 | |
| 14 | |
| 15 | Melodrama supposedly critiquing Tamil |
| 16 | Brahminism and a major censorship case when |
| 17 | the Madras Tamil Brahmins’ Association’s call |
| 18 | to have it banned was apparently supported by |
| 19 | the then-President of India, R. Venkatraman. |
| 20 | Balu Thevar (Satyaraj), a non-Brahmin atheist |
| 21 | and the village chief, has a feud with the |
| 22 | Brahmin Neelkanth Sastry (Charuhasan) who |
| 23 | teaches the Vedas, including their erotic |
| 24 | descriptions in Shankara, to Thevar’s son |
| 25 | Sankara Pandi (Raja), the latter also being in |
| 26 | love with Sastry’s daughter Vaidehi (Amala). |
| 27 | Pandi gets killed, as does Sastry. |
| 28 | Vaidehi pretends to be dead, and escapes, allowing |
| 29 | another character to emerge: a widowed forest |
| 30 | ranger (Ravi) who confronts the girl’s Brahmin |
| 31 | suitor (Janakaraj) as well as the film’s villain. |
| 32 | Bharathirajaa’s practice of setting a love story in |
| 33 | the context of village ritual yields an unusually |
| 34 | violent story in a film purporting to merge |
| 35 | humanist values into religious ritual. |
| 36 | |
| 37 | |
| 38 | [[Film]] |