| 1 | '''Uttam Kumar (1926-80)''' |
| 2 | |
| 3 | |
| 4 | Bengali superstar who at times was the |
| 5 | Tollygunge-based Bengali film industry. Real |
| 6 | name: Arun Kumar Chatterjee. Employed as a |
| 7 | clerk in the port commissioner’s office, |
| 8 | Calcutta, before joining films. Briefly stage |
| 9 | actor at the Star Theatre (e.g. in Shyamali, |
| 10 | 1953, filmed in 1956). Début as extra in |
| 11 | uncompleted Mayadore. Broke with the |
| 12 | prevailing theatrical acting styles and achieved |
| 13 | stardom with Nirmal Dey’s Sharey Chuattar, |
| 14 | which also initiated his famed co-starring films |
| 15 | with Suchitra Sen: they featured in some of |
| 16 | the most spectacular Bengali melodramas |
| 17 | made by Naresh Mitra, Sushil Majumdar, |
| 18 | Ajoy Kar and the Agradoot and Agragami |
| 19 | units, epitomising the genre of the soft-focus |
| 20 | musical romance (with Hemanta Mukherjee |
| 21 | as his regular playback voice). Melodramas of |
| 22 | suffering, betrayal and the struggle for truth (cf. |
| 23 | Sagarika, Saptapadi) made an embattled |
| 24 | literary tradition (with a bhadralok middle-class |
| 25 | identity and an apolitical humanist philosophy) |
| 26 | popular again after a long history of radical |
| 27 | attacks on the Bengali novel. In e.g. Kartick |
| 28 | Chattopadhyay’s Saheb Bibi Golam and in |
| 29 | the Ajoy Kar and Tapan Sinha films, the Uttam |
| 30 | Kumar persona abandoned many conservative |
| 31 | tenets of this tradition while receiving an |
| 32 | unprecedented degree of mass adulation. S. |
| 33 | Ray presented his version of the phenomenon |
| 34 | in Nayak, which many saw as the star’s |
| 35 | autobiography. The two also worked together |
| 36 | in Chidiakhana. His biographer |
| 37 | Gourangaprasad Ghosh claimed that when his |
| 38 | effort to go ‘national’ with the Hindi film |
| 39 | Chotisi Mulaqat proved a failure, he finally |
| 40 | turned into an actor of mass-produced |
| 41 | romances. Except for Amanush, his Hindi |
| 42 | films were mostly unsuccessful. His last film, |
| 43 | Ogo Bodhu Sundari, a version of My Fair |
| 44 | Lady, was completed with another actor. Wrote |
| 45 | his autobiography (1979). |
| 46 | |
| 47 | |
| 48 | '''FILMOGRAPHY''' (* also d/** also music d): |
| 49 | 1948: Drishtidaan; 1949: Mayadore |
| 50 | (incomplete); Kamana; 1950: Maryada; 1951: |
| 51 | Ore Jatri; Sahajatri; Nastaneer; 1952: |
| 52 | Sanjibani; Basu Parivar; Kar Papey; 1953: |
| 53 | Sharey Chuattar; Lakh Taka; Nabin Yatra; |
| 54 | Bou Thakuranir Haat; 1954: Moner Mayur; |
| 55 | Ora Thake Odhare; Champadangar Bou; |
| 56 | Kalyani; Maraner Pare; Sadanander Mela; |
| 57 | Annapurnar Mandir; Agni Pareeksha; Bokul; |
| 58 | Grihapravesh; Mantra Shakti; 1955: Sanjher |
| 59 | Pradeep; Anupama; Raikamal; Devatra; Shap |
| 60 | Mochan; Bidhilipi; Hrad; Upahar; Kankabatir |
| 61 | Ghat; Bratacharini; Sabar Uparey; 1956: Raat |
| 62 | Bhore; Sagarika; Saheb Bibi Golam; Laksha- |
| 63 | Hira; Chirakumar Sabha; Ekti Raat; Shankar |
| 64 | Narayan Bank; Shyamali; Trijama; |
| 65 | Putrabadhu; Shilpi; Nabajanma; 1957: Haar |
| 66 | Jeet; Bardidi; Yatra Holo Suru; Prithibi Amar |
| 67 | Chai; Taser Ghar; Surer Parashey; Punar |
| 68 | Milan; Harano Sur; Abhoyer Biye; |
| 69 | Chandranath; Pathe Holo Deri; Jiban Trishna; |
| 70 | 1958: Rajalakshmi-o-Shrikanta; Bandhu; |
| 71 | Manmoyee Girls’ School; Daktar Babu; Shikar; |
| 72 | Indrani; Joutuk; Surya Toran; 1959: |
| 73 | Marutirtha Hinglaj; Chaowa-Pawa; Bicharak; |
| 74 | Pushpadhanu; Gali Theke Rajpath; Khelaghar; |
| 75 | Sonar Harin; Abak Prithvi; 1960: Maya Mriga; |
| 76 | Raja-Saja; Kuhak; Uttar Megh; Haat Baraley |
| 77 | Bandhu; Khokha Babur Pratyabartan; Sakher |
| 78 | Chor; Saharer Itikatha; Suno Baro Nari; 1961: |
| 79 | Sathi Hara; Agni Sanskar; Jhinder Bandi; |
| 80 | Necklace; Saptapadi; Dui Bhai; 1962: |
| 81 | Bipasha; Shiulibari; Kanna; 1963: Shesh- |
| 82 | Anka; Nisithe; Uttarayan; Bhranti Bilas; Surya |
| 83 | Sikha; Deya Neya; 1964: Bibhas; Jotugriha; |
| 84 | Natun Tirtha; Momer Alo; Lal Patthar; 1965: |
| 85 | Thana Theke Aschhi; Raj Kanya; Surya Tapa; |
| 86 | Kal Tumi Aleya**; 1966: Sudhu Ekti |
| 87 | Bachhar*; Nayak; Rajdrohi; Sankha Bela; |
| 88 | 1967: Antony Firingee; Chidiakhana; |
| 89 | Grihadah; Jiban Mrityu; Nayika Sangbad; |
| 90 | Chhotisi Mulaqat; 1968: Chowringhee; |
| 91 | Kokhono Megh; Teen Adhyay; Garh Nasimpur; |
| 92 | 1969: Aparichita; Chiradiner; Kamallata; |
| 93 | Mon-Niye; Sabarmati; Shuk Sari; 1970: |
| 94 | Kalankita Nayak; Bilambita Lay; Duti Mon; |
| 95 | Nishipadma; Manjari Opera; Rajkumari; 1971: |
| 96 | Chhadmabeshi; Dhanyi Meye; Ekhane Pinjar; |
| 97 | Jay Jayanti; Jiban Jignasa; Nabaraag; 1972: |
| 98 | Alo Amar Alo; Andha Atit; Biraj Bou; |
| 99 | Chinnapatra; Haar Mana Haar; Memsahib; |
| 100 | Stree; 1973: Kaya Hiner Kahini; Rater |
| 101 | Rajanigandha; Roudra Chhaya; Sonar |
| 102 | Khancha; Bon Palashir Padabali*; Rodon |
| 103 | Bhora Basanta; 1974: Alor Thikana; |
| 104 | Amanush; Bikele Bhorer Phool; Jadu |
| 105 | Bansha; Jadi Jantem; Rakta Tilak; Mouchak; |
| 106 | 1975: Ami Sey-o-Sekha; Agniswar; Bagh Bandi |
| 107 | Khela; Kajal Lata; Nagar Darpane; Priya |
| 108 | Bandhabi; Sanyasi Raja; Sei Chokh; |
| 109 | Sabhyasachi**; 1976: Banhi Sikha; Chander |
| 110 | Kachhakachhi; Mom Batti; Nidhi Ram Sardar; |
| 111 | Rajbansha; Hotel Snow Fox; Ananda Mela; |
| 112 | Asadharan; 1977: Bhola Moira; Jaal Sanyasi; |
| 113 | Sister; Anand Ashram; Kitaab; Brajabuli; |
| 114 | 1978: Bandi; Dhanraj Tamang; Dui Purush; |
| 115 | Nishan; 1979: Dooriyan; Devdas; |
| 116 | Nabadiganta; Samadhan; Srikanter Will; |
| 117 | Sunayani; 1980: Aro Ekjan; Darpachurna; |
| 118 | Dui Prithibi; Pankhiraj; Raja Saheb; Raj |
| 119 | Nandini; 1981: Plot No 5; Kalankini |
| 120 | Kankabati*; Khana Baraha; Pratishodh; Ogo |
| 121 | Bodhu Sundari; Surya Sakhi; 1982: Desh |
| 122 | Premi; Iman Kalyan; 1987: Mera Karam Mera |
| 123 | Dharam. |
| 124 | |
| 125 | [[Actor]] |