| 1 | '''Unishe April''' |
| 2 | |
| 3 | |
| 4 | 1994 138’ col Bengali |
| 5 | d/s Rituparno Ghosh pc Spandan Films p Renu |
| 6 | Roy c Sunirmal Majumdar m Jyotishka |
| 7 | Dasgupta |
| 8 | lp Aparna Sen, Debashree Roy, Dipankar Dey, |
| 9 | Prasenjit |
| 10 | |
| 11 | |
| 12 | Ghosh’s second feature, a major success, is an |
| 13 | Autumn Sonata (Ingmar Bergman, 1978) type |
| 14 | melodrama focussing on the differences |
| 15 | between a famous mother, the dancer Sarojini |
| 16 | (Sen), and her daughter Aditi (Roy), a medical |
| 17 | student in Delhi. The daughter, as was her |
| 18 | doctor father before her, is unable to handle |
| 19 | her mother’s sense of independence and fame. |
| 20 | Most of the film takes place in a single night in |
| 21 | Calcutta as the daughter tries to commit suicide |
| 22 | on the anniversary of her father’s death. A |
| 23 | barrage of dialogue - devoted to showing two |
| 24 | major Bengali female stars, Sen and Roy, |
| 25 | locked in a histrionic duel - ends only when |
| 26 | the two become reconciled, not through any |
| 27 | resolution of the major issues involved in their |
| 28 | problems, but by reconfirming the filial bond. |
| 29 | The film marked a departure from the |
| 30 | dominant melodramas of the time which were |
| 31 | geared to addressing, in the industry’s terms, |
| 32 | ‘female and rural’ audiences rather than the |
| 33 | urban middle class habituated to ‘modernising’ |
| 34 | television drama. |
| 35 | |
| 36 | [[Film]] |