| 1 | '''Tiranga''' |
| 2 | |
| 3 | |
| 4 | aka Tirangaa |
| 5 | 1992 168’ col/scope Hindi |
| 6 | d/p Mehul Kumar pc M.K. Pics s K.K. Singh |
| 7 | lyr Santosh Anand c Russi Bilimoria |
| 8 | m Laxmikant Pyarelal |
| 9 | lp Raaj Kumar, Nana Patekar, Varsha |
| 10 | Usgaonkar, Harish, Mamta Kulkarni, Suresh |
| 11 | Oberoi, Sonika Gill, Manohar Singh, Deepak |
| 12 | Shirke, Rakesh Bedi, Alok Nath |
| 13 | |
| 14 | |
| 15 | Of the many ‘nationalist’ films made since the |
| 16 | late 1980s (cf. Roja, 1992; 1942: A Love Story |
| 17 | and Sainyam, both 1994) this commercial |
| 18 | success is arguably the most bizarre. In order to |
| 19 | overthrow the dreaded anti-national terrorist |
| 20 | leader Pralaynath Gendalswamy (Shirke), the |
| 21 | government of India hires Brigadier Suryadev |
| 22 | Singh (Raaj Kumar), providing him with a |
| 23 | secret commando hideout, secret access to the |
| 24 | Prime Minister (Nath) and legal carte blanche |
| 25 | which includes a police massacre of innocent |
| 26 | people simply in order to enable Singh to |
| 27 | become a convict, a move apparently |
| 28 | necessary for his plans. Singh in turn hires the |
| 29 | renegade cop Shivajirao Wagle (Patekar) and, |
| 30 | after various skirmishes with the bad guys, the |
| 31 | two men invade the villain’s hideout and |
| 32 | scuttle his plan to destabilise the nation with |
| 33 | rocket attacks on Independence day. The |
| 34 | chillingly fascist arguments deployed in other |
| 35 | Patekar-Mehul Kumar collaborations (cf. |
| 36 | Krantiveer, 1994) are here partially undone |
| 37 | by the surreal comic strip quality of the film, |
| 38 | incarnated in Raaj Kumar’s flashy dress and |
| 39 | uniquely rhetorical dialogue style, but |
| 40 | extended into the plot by a plethora of smaller |
| 41 | characters and by the filmmaker’s fascination |
| 42 | with lethal gadgets with flashing lights (as in |
| 43 | campy sci-fi effects). The plot extends into |
| 44 | other areas as the villain’s equally bad son |
| 45 | Rasiknath impregnates Radha, daughter of the |
| 46 | evil Central Minister Jeevanlal Tandel (Singh), |
| 47 | who in turn accuses Sanjiv, son of the fearless |
| 48 | cop Rudrapratap Chouhan (Oberoi), of having |
| 49 | raped her, thus providing extra motivation for |
| 50 | the good guys, as if the filmmakers obscurely |
| 51 | realised that their brand of nationalism was not |
| 52 | by itself up to the task. At least some of the |
| 53 | comic strip effects appear to have been |
| 54 | intentional, such as the character of Khabrilal |
| 55 | (Bedi), a police informer who speaks like a |
| 56 | Doordarshan news reader and whose entry is |
| 57 | always accompanied by the signature tune of |
| 58 | Doordarshan’s news programme. |
| 59 | |
| 60 | [[Film]] |