| 1 | '''Thevar Magan''' |
| 2 | |
| 3 | |
| 4 | 1992 168’ col/scope Tamil |
| 5 | d B.G. Bharathan pc Raajkamal Films |
| 6 | p/s Kamalahasan lyr Vali c P.C. Sriram |
| 7 | m Ilaiyaraja |
| 8 | lp Kamalahasan, Sivaji Ganesan, Gauthami, |
| 9 | Revathi, Nasser, K. Radhakrishnan, |
| 10 | S.N. Lakshmi, Prasanthi |
| 11 | |
| 12 | |
| 13 | The Tamil megastar Kamalahasan produced |
| 14 | and wrote this Godfather-type hit described by |
| 15 | the star as ‘a Sicilian drama’, set in the feudal |
| 16 | Madurai district controlled by big landlords |
| 17 | who employ their own gangs and often indulge |
| 18 | in expensive feuds with their neighbours. The |
| 19 | star explained that this environment was part of |
| 20 | his childhood experience. He plays Shaktivelu, |
| 21 | the modern son of Peria-thevar (Ganesan), |
| 22 | who returns to his ancestral home to introduce |
| 23 | his girlfriend (Gauthami) to his family. He |
| 24 | becomes involved in the bloody feuds between |
| 25 | different members of the clan led by Mayathevar |
| 26 | (Nasser), and when his father dies he |
| 27 | assumes the godfather’s mantle. The rival |
| 28 | family is eventually annihilated in a gory |
| 29 | ending. Kamalahasan’s performance, especially |
| 30 | in the second half, pays tribute to the |
| 31 | patriarchal figure of Ganesan, the focus of a |
| 32 | neo-traditionalist discourse valorising |
| 33 | fundamentalism along with the star’s screen |
| 34 | image. |
| 35 | |
| 36 | [[Film]] |