| 1 | '''Tezaab''' |
| 2 | |
| 3 | |
| 4 | 1988 173’ col/scope Hindi |
| 5 | d/s/p N. Chandra pc Aarti Ents Bombay, |
| 6 | N. Chandra Prod. lyr Javed Akhtar c Baba |
| 7 | Azmi m Laxmikant-Pyarelal |
| 8 | lp Anil Kapoor, Chunky Pandey, Madhuri |
| 9 | Dixit, Anupam Kher, Kiran Kumar, Suresh |
| 10 | Oberoi, Mandakini, Annu Kapoor |
| 11 | |
| 12 | |
| 13 | Chandra, the maker of the Shiv Sena |
| 14 | propaganda film Ankush (1985), had his first |
| 15 | hit with this Bombay low-life crime movie. |
| 16 | Munna (Anil Kapoor) is in love with the dancer |
| 17 | Mohini (Dixit). Mohini’s father (Kher) is an |
| 18 | alcoholic gambler who lives off his daughter’s |
| 19 | earnings. To prevent the lovers marrying, he |
| 20 | helps Lotiya Khan (Kumar), a criminal hostile |
| 21 | to Munna. Lotiya Khan’s brother tries to rape |
| 22 | Munna’s sister and Munna kills him, earning |
| 23 | himself a year in jail. On his release, Munna is |
| 24 | persecuted by Lotiya Khan, Mohini’s father and |
| 25 | the police. Forced by his bail conditions to |
| 26 | remain outside Bombay’s city limits, Munna |
| 27 | becomes a noted criminal. Mohini’s father and |
| 28 | Lotiya Khan quarrel and Mohini is kidnapped |
| 29 | by Khan. Munna rescues her and defeats the |
| 30 | villains. Most of the film is told in flashback, |
| 31 | narrating the romance between Munna and |
| 32 | Mohini and the violence it engenders (the film |
| 33 | is subtitled ‘A violent love story’). The main |
| 34 | title, meaning ‘Acid’, refers to the way Mohini’s |
| 35 | father disfigures his wife and causes her to |
| 36 | commit suicide, threatening to assault his |
| 37 | daughter in the same way. Chandra places |
| 38 | much of the action in recognisable parts of the |
| 39 | city. However, the film’s spectacular opening |
| 40 | sequence at a rock concert, featuring the hit |
| 41 | song Ek do teen showing Mohini’s kidnap by a |
| 42 | bunch of motor-cyclists weaving through the |
| 43 | crowded streets, is shot in a studio and |
| 44 | presents a fantasy version of New York’s Times |
| 45 | Square. The fanatic communalism evident in |
| 46 | Chandra’s Ankush is echoed here: the hero, |
| 47 | identified as a Maharashtrian, disposes of |
| 48 | several ‘outside’ thugs suggesting that ‘local’ |
| 49 | Maharashtrian criminals are revered by the |
| 50 | people who dislike outsiders interfering with |
| 51 | their home-grown racketeers. |
| 52 | |
| 53 | |
| 54 | [[Film]] |