| 1 | Telephone Ni Taruni |
| 2 | |
| 3 | aka |
| 4 | |
| 5 | Telephone Girl |
| 6 | 1926 st 8427 ft B&W |
| 7 | d Himi Master pc Kohinoor films |
| 8 | |
| 9 | |
| 10 | st Mohanlal G. Dave c Narayan G. Devare lp Sulochana, Gohar, Khalil, Raja Sandow, |
| 11 | Jamna |
| 12 | |
| 13 | |
| 14 | Sulochana's most famous silent film sees her as a telephone operator, a job she used to do in real life, who becomes the love object of a leading lawyer (Sandow). The problems of inter-community marriage are highlighted, as is the value of patriotism through the character of Peter, the heroine's brother (Khalil). The film also refers to a collectivisation movement among farmers (inspired by events in the USSR). Writer Dave was commended for his ability to entwine disparate narrative strands |
| 15 | while introducing contemporary references. For his debut as cameraman, Devare pioneered the use of reallocations, shooting in the Grant Road telephone exchange in Bombay. |
| 16 | |
| 17 | [[Film]] |