| 1 | '''Tara''' |
| 2 | |
| 3 | |
| 4 | 1992 ? col Oriya |
| 5 | d/co-sc Bijoya (Dolly) Jena pc NFDC/ |
| 6 | Doordarshan st/co-sc Bimal Dutt c Neelabh |
| 7 | Kaul m Bhubhaneshwar Mishra, Dhyanesh |
| 8 | Khan |
| 9 | lp Bijoya Jena, Sunil Chourasia, Anit Das, Ashru |
| 10 | Mohanty |
| 11 | Melodrama of a female protagonist mapped |
| 12 | onto a story about tantric mysticism. Known |
| 13 | mainly for sparse dialogue, especially for an |
| 14 | extended wordless single-take sequence on |
| 15 | lovemaking: the absence of words was |
| 16 | sometimes seen as related to the fact that both |
| 17 | the NFDC and the Censor Board require |
| 18 | dialogue sheets to ‘assess’ the work. |
| 19 | |
| 20 | [[Film]] |