| 1 | |
| 2 | == Tapi Dharma Rao == |
| 3 | |
| 4 | Telugu scenarist-lyricist, poet, journalist and |
| 5 | literary critic born in Behrampur. Influenced as |
| 6 | a student by the historian Gidugu Ramamurthy |
| 7 | Panthulu, who advocated a vyavaharika (or |
| 8 | demotic) Telugu. Was personal secretary to the |
| 9 | Rajah of Bobbili, a Justice Party ideologue for |
| 10 | the interests of the zamindar class and Chief |
| 11 | Minister of Madras Presidency in the early |
| 12 | Dharma Rao, Tapi |
| 13 | 90 |
| 14 | 1930s. Pursued the notion of a people’s |
| 15 | language in his poetry (esp. in Dyayonam, |
| 16 | Bhikshapatram, Andhra Tejam) and in plays |
| 17 | like Vilasarjunam, Taptashrukanam and |
| 18 | Avanni Kannellena. Wrote essays on historical |
| 19 | and cultural issues, e.g. in journals like |
| 20 | Samadarshini and Janavani, later collected in |
| 21 | his Kottapali Onamalu Sahitya Mormaralu. |
| 22 | Worked on films by Ramabrahmam |
| 23 | (Malapilla, 1938; Raitu Bidda, 1939). Wrote |
| 24 | scripts and lyrics for e.g. L.V. Prasad’s Drohi |
| 25 | (1948), B.A. Subba Rao’s Palletoori Pilla (1950) |
| 26 | and K.S. Prakash Rao’s Deeksha (1951). A |
| 27 | major advocate of a separate state for Teluguspeaking |
| 28 | people prior to the formation of |
| 29 | Andhra Pradesh. Wrote c.40 scripts and several |
| 30 | very popular lyrics. Father of film director Tapi |
| 31 | Chanakya. |
| 32 | |
| 33 | [[Writer]] |