| 1 | '''Swayamkrushi''' |
| 2 | |
| 3 | |
| 4 | 1987 164’ col Telugu |
| 5 | d/s K. Vishwanath pc Poornodaya Movie |
| 6 | Creations p Edida Nageshwara Rao |
| 7 | lyr C. Narayana Reddy, Seethatama Sastry |
| 8 | c H. Loksingh m Ramesh Naidu |
| 9 | lp Chiranjeevi, Vijayashanti, Sumalatha, |
| 10 | Bannerjee, Charan Raj, P.L. Narayana, Master |
| 11 | Arjun, Master Suresh |
| 12 | |
| 13 | |
| 14 | Elaborate melodrama with Chiranjeevi as the |
| 15 | illiterate cobbler who raises his dead sister’s |
| 16 | son Chinna (Arjun/Suresh) while also financing |
| 17 | the education of the orphaned Sharada |
| 18 | (Sumalatha). When Sharada marries, |
| 19 | Sambaiah’s lover Ganga (Vijayashanti) is |
| 20 | sterilised so that nothing will interfere with |
| 21 | Chinna’s growth. Ganga assists Sambaiah in |
| 22 | becoming enormously wealthy, but this causes |
| 23 | several problems: Chinna’s biological father |
| 24 | Govind (Raj) teams up with Sharada’s no-good |
| 25 | husband Bhaskar (Bannerjee) to make a series |
| 26 | of demands on Sambaiah and to claim Chinna’s |
| 27 | guardianship. Eventually, Chinna rebels against |
| 28 | his father and both he and Sambaiah return to |
| 29 | the latter’s modest original profession of |
| 30 | cobbler. The film was a critical success, notably |
| 31 | for recasting action star Chiranjeevi in an |
| 32 | unusual role, which also constituted his |
| 33 | influential effort to transform his screen image |
| 34 | by entering what is known in Telugu cinema as |
| 35 | the ‘class film’. Less than two years after the |
| 36 | formation of the Dalit Mahasabha in A.P. |
| 37 | (1985), the film posits a conservative resolution |
| 38 | to an important political movement in its |
| 39 | evacuation of all caste conflict in favour of a |
| 40 | fictional conflict between ‘good’ and ‘bad’ |
| 41 | Dalits. |
| 42 | |
| 43 | [[Film]] |