| 1 | '''Susman''' |
| 2 | |
| 3 | |
| 4 | aka The Essence |
| 5 | 1986 140’ col Hindi |
| 6 | d/p Shyam Benegal pc Association of Cooperatives |
| 7 | and Apex Society of Handloom, |
| 8 | Sahyadri Films sc Shama Zaidi c Ashok Mehta |
| 9 | m Sharang Dev, Vanraj Bhatia |
| 10 | lp Om Puri, Shabana Azmi, Neena Gupta, |
| 11 | Kulbhushan Kharbanda, K.K. Raina, Annu |
| 12 | Kapoor, Harish Patel, Mohan Agashe, Ila Arun |
| 13 | |
| 14 | |
| 15 | A tribute to the ‘Ikat’ handloom weavers of |
| 16 | Pochampally in AP. The film tells of Ramulu |
| 17 | (Puri), a master of silk weaving, his family and |
| 18 | their tribulations with the co-operative they |
| 19 | work in. The drama is sparked off by internal |
| 20 | rivalries and the arrival of a government |
| 21 | official, a woman (Gupta) looking for items to |
| 22 | send to an exhibition in Paris. Complications |
| 23 | are provided by Ramulu, who secretly uses |
| 24 | some of his allotted silk to make a wedding sari |
| 25 | for his daughter, leading to his temporary |
| 26 | disgrace. The contrast between artisanal |
| 27 | craftsmanship and mass-production techniques |
| 28 | is illustrated by the life of Ramulu’s son-in-law, |
| 29 | who moves away from the family and finds |
| 30 | work in a textile factory. The moral of the story |
| 31 | is underlined in an interview between a French |
| 32 | journalist and Ramulu, the latter trying to |
| 33 | explain that a craftsman pours the essence of |
| 34 | his soul into his craft. Unlike e.g. Mani Kaul |
| 35 | (cf. Mati Manas, 1984) whose 80s work is also |
| 36 | animated by similar concerns for dying craft |
| 37 | traditions, Benegal’s cinema makes no effort to |
| 38 | mediate, demystify or even understand the |
| 39 | nature of that ‘essence’. Produced, like his |
| 40 | earlier Manthan (1976), by a marketing cooperative, |
| 41 | the film also capitalised on a |
| 42 | specifically 80s orientalism brought about by |
| 43 | the several Festivals of India and trade fairs of |
| 44 | traditional craft in Europe and the USSR. |
| 45 | |
| 46 | [[Film]] |