| 1 | '''Sunya Theke Suru''' |
| 2 | |
| 3 | |
| 4 | aka A Return to Zero |
| 5 | 1993 128’ col Bengali |
| 6 | d/s Ashoke Vishwanathan pc H.G. Films |
| 7 | p Madhumati Maitra, Hillol Das, Mrinal Das |
| 8 | c Vivek Bannerjee m Dipak Choudhury |
| 9 | lp Dhritiman Chatterjee, Mamata Shankar, |
| 10 | N. Vishwanathan, Lily Chakraborty, Anjan Dutt, |
| 11 | Anuradha Roy, Ashoke Vishwanathan |
| 12 | |
| 13 | |
| 14 | Experimental, and controversial, debut feature |
| 15 | set in the context of the 1960s Naxalite student |
| 16 | movement in Calcutta. Resorting to a mix of |
| 17 | colour and monochrome scenes to convey the |
| 18 | persistence of the past in the present, the story |
| 19 | tells of a professor of economics, Bhishmadev |
| 20 | Sharma (Chattrejee), peripherally connected |
| 21 | with and clearly sympathetic to the student |
| 22 | movement, who is arrested, tortured and |
| 23 | imprisoned for ten years. He emerges into a |
| 24 | changed Calcutta, exemplified by the |
| 25 | existential traumas of his now rich former |
| 26 | student Samar Gupta, the writer Pragnya and |
| 27 | the young activist Udayan, the latter |
| 28 | unperturbably continuing to claim that the |
| 29 | present is a revolutionary situation. The film’s |
| 30 | political passion derives from its refusal to |
| 31 | forget a traumatic past, juxtaposing the |
| 32 | interaction of temporal dimensions with a |
| 33 | sophisticated mise en scene of spatial |
| 34 | discontinuities. |
| 35 | |
| 36 | [[Film]] |