| 1 | '''Sopan''' |
| 2 | |
| 3 | |
| 4 | 1994 134’ col Bengali |
| 5 | d Ajay Bannerjee pc Concept Constructions |
| 6 | s/lyr Samiran Datta c Soumendu Roy |
| 7 | m Bhupen Hazarika |
| 8 | lp Soumitra Chatterjee, Mamata Shankar, |
| 9 | Dipankar Dey, Ajoy Bannerjee, Moon Moon |
| 10 | Sen, Sanghamitra Sarkar |
| 11 | |
| 12 | |
| 13 | The radical filmmaker Niranjan Chakraborty |
| 14 | (Chatterjee) witnesses his friend, police officer |
| 15 | Ratanlal, commit a murder. The assassinated |
| 16 | man is a noted intellectual and Niranjan’s |
| 17 | erstwhile Communist mentor. In a drunken |
| 18 | moment Niranjan discloses what he saw to a |
| 19 | young journalist, causing a major political |
| 20 | scandal. In the end, he denies having seen |
| 21 | anything incriminating and rescues the corrupt |
| 22 | officer from a prison sentence. The plot is |
| 23 | padded by the journalist turning out to be the |
| 24 | filmmaker’s illegitimate daughter by an earlier |
| 25 | wife (Shankar) who rejected him because of his |
| 26 | unprincipled opportunism. The epilogue has |
| 27 | the filmmaker win awards, his radical |
| 28 | reputation intact. Much of the film depends on |
| 29 | local references to actual people and events, |
| 30 | e.g. the murder in the film evokes the |
| 31 | assassination, during Siddhartha Shankar Ray’s |
| 32 | ministry, of noted Naxalite poet and intellectual |
| 33 | Saroj Dutta by the police which it is commonly |
| 34 | believed was actually witnessed by the star |
| 35 | Uttam Kumar. The radical filmmaker |
| 36 | character is seen as a caricature of Mrinal Sen |
| 37 | and Utpal Dutt. |
| 38 | |
| 39 | [[Film]] |