| 1 | '''Sombhu Mitra (1916-97)''' |
| 2 | |
| 3 | |
| 4 | Bengali-Hindi actor and director born in |
| 5 | Hooghly Dist., Bengal. One of the most |
| 6 | significant figures of 20th C. Indian theatre. The |
| 7 | first play he staged, Bijon Bhattacharya’s |
| 8 | Nabanna (1943), based on the 1943 Calcutta |
| 9 | famine, was seminal to realist political theatre |
| 10 | and a reference-point for the IPTA. He made |
| 11 | his film début in K.A. Abbas’s IPTA-sponsored |
| 12 | film version of the play Dharti Ke Lal. Set up |
| 13 | his own theatre group, Bohurupee (1948), |
| 14 | pioneering indigenous variations of Ibsen’s |
| 15 | naturalist idiom (Dashachakra, adapting An |
| 16 | Enemy of the People; Putulkhela, adapting |
| 17 | Doll’s House; Badal Sircar’s Evam Indrajit) in |
| 18 | tandem with stylised performances of |
| 19 | Rabindranath Tagore’s Dak Ghar, |
| 20 | Raktakarabi and Raja. Later theatre work |
| 21 | includes exploration of Greek tragedy |
| 22 | (Oedipus) and Brecht (Galileo). Invited by Raj |
| 23 | Kapoor to direct Jagte Raho. Considered the |
| 24 | greatest Bengali actor after Sisir Bhaduri, |
| 25 | along with contemporaries Ajitesh |
| 26 | Bandyopadhyay and Utpal Dutt. |
| 27 | |
| 28 | |
| 29 | '''FILMOGRAPHY''' (* only d/** also d): 1946: |
| 30 | Dharti Ke Lal; 1947: Abhiyatri; 1949: Abarta; |
| 31 | 1950: Hindustan Hamara; 1953: Maharaj |
| 32 | Nandakumar; Pathik; Bou Thakuranir Haat; |
| 33 | 1954: Maraner Pare; Shivashakti; 1955: |
| 34 | Durlav Janma; 1956: Jagte Raho/Ek Din |
| 35 | Raatre**; 1959: Shubha Bibaha*; 1961: |
| 36 | Manik; 1962: Suryasnan; 1967: Panna; 1969: |
| 37 | Natun Pata; 1971: Nishachar. |
| 38 | |
| 39 | [[Actor]] |
| 40 | |
| 41 | [[Director]] |