| 1 | Samsaram Athu Minsaram |
| 2 | aka Married Life is like Electricity |
| 3 | 1986 145’ col Tamil |
| 4 | d/s Visu pc AVM Prod. p M. Saravanan, |
| 5 | M. Balasubramanyam lyr Vairamuthu |
| 6 | c N. Balakrishnan m Shankar-Ganesh |
| 7 | lp Visu, Raghuvaran, Chandrasekhar, |
| 8 | Manorama, Laxmi, Ilavarasi, Madhuri, Kamala |
| 9 | Kamesh, Delhi Ganesh |
| 10 | |
| 11 | |
| 12 | Visu’s caste-conscious urban middle-class |
| 13 | family drama. Here he plays Ammaiyappa |
| 14 | Mudaliar, a salaried employee with a wife, a |
| 15 | daughter and three sons, making for four |
| 16 | couples in a single household. The daughter, |
| 17 | who aspires to a measure of freedom in her |
| 18 | marriage, is contrasted with an obediently |
| 19 | traditional daughter-in-law (Laxmi). The story |
| 20 | approves of Christian-Hindu marriage, clearly |
| 21 | features caste identities (e.g. the troubleshooter |
| 22 | figure of the servant Kannamma, |
| 23 | played brilliantly by Manorama) and refuses to |
| 24 | hide reactionary family ideologies under a |
| 25 | progressive cloak. Manorama, the legendary |
| 26 | Tamil comedienne, had debuted in the 1950s |
| 27 | and has reputedly done over a thousand Tamil |
| 28 | films. This film was remade in Hindi as Sansar |
| 29 | (T. Rama Rao, 1987) with Aruna Irani in the |
| 30 | role. The major hit extended the AVM studio’s |
| 31 | successes into the 80s. |
| 32 | |
| 33 | [[Film]] |