Changes between Initial Version and Version 1 of Salil Choudhury


Ignore:
Timestamp:
Mar 6, 2012, 3:57:47 PM (12 years ago)
Author:
Lawrence Liang
Comment:

--

Legend:

Unmodified
Added
Removed
Modified
  • Salil Choudhury

    v1 v1  
     1'''Salil Choudhury (1925-95)''' 
     2 
     3Self-trained composer and music director. 
     4Activist among peasantry in 24 Parganas Dist., 
     5Bengal. Did music for IPTA plays and musical 
     6squads performing in Bengali countryside, 
     7calling for cultural internationalism as opposed 
     8to an emphasis on regional folk traditions (cf. 
     9Bhupen Hazarika; also Choudhury’s Modern 
     10Bengali Music in Crisis, 1951). His influences 
     11in songs that have remained enduring 
     12favourites with Left cultural groups all over 
     13India include Mozart, Hanns Eisler and 
     14contemporary Latin American forms, such as 
     15Abak prithibi (written by Sukanta Choudhury 
     16and sung by Hemanta Mukherjee) and Kono 
     17ek gayer bodhu (written by Choudhury 
     18himself). Ghatak, in Komal Gandhar (1961), 
     19and Mrinal Sen, in Akaler Sandhaney (e.g. 
     20Hai samhalo dhan ho! on the 1943 famine) 
     21used his music to typify the spirit of 40s Bengali 
     22agitational theatre movements, which he also 
     23extended to cover other genres, like Zia 
     24Sarhadi’s Awaaz and Tarafdar’s Ganga. 
     25Entered films with Satyen Bose. First major hit was Bimal Roy’s Do Bigha Zameen, based 
     26on his own story, with full-blooded choral 
     27compositions celebrating peasant vitality 
     28(monsoon song Hariyala sawan), a form still 
     29most associated with him. Went on to score the 
     30pathbreaking soundtrack of Roy’s 
     31Madhumati. Also did notable work for 
     32Hrishikesh Mukherjee films, e.g. his début 
     33Musafir and the 70’s hit Anand. The only 
     34front-line Hindi composer to work in several 
     35languages: Assamese (the experimental 
     36Aparajeya by the Chaturanga collective), 
     37Kannada (A.M. Samiulla’s films, including 
     38Samshayaphala, Onderupe Eradu Guna etc., 
     39and Balu Mahendra’s début Kokila), Tamil 
     40(Doorathu Idhi Muzhakkam) and Telugu 
     41(Chairman Chalamayya). Most spectacular work outside Bengali and Hindi is, however, for Ramu Kariat, scoring the several hits in his breakthrough Chemmeen, followed by Ezhu Rathrikal, Abhayam, Nellu etc. 
     42''' 
     43FILMOGRAPHY''' (* also d/** also lyr): 1949: Paribartan; 1951; Barjatri; 1953; Do Bigha Zameen; Banser Kella;  Banser Kella; Bhor Hoye Elo; 1954: Aaj Sandhya; Mahila Mahal; Biraj Bahu; Naukri; 1955: Amanat; Tangewali; Rickshawala; 1956: Raat Bhore; Awaaz; Parivar; Jagte Raho/Ek Din Raatre; 1957: Aparadhi Kaun; Gautama The Buddha (Doc); Ek Gaon Ki Kahani; Lal Batti; Musafir; Zamana; 1958: Madhumati; 1959: Bari Theke Paliye; 1960: Ganga; Sunehri Raatein; Jawahar; Kanoon; Parakh; Usne Kaha Tha; 1961: Char Diwari; Chhaya; Kabuliwala; Maya; Memdidi; Sapan Suhane; Raibahadur; 1962: Half Ticket; Jhoola; Prem Patra; Sunbai; 1964: Kinu Goyalar Gali; Ayananta; Lal Patthar; 1965: Chand Aur Suraj; Poonam Ki Raat; Chemmeen; 1966: Pinjre Ke Panchhi*; Netaji Subhashchandra Bose; Pari**; 1968: Ezhu Rathrikal; Jawab Ayega; 1969: Ittefaq; Sara Akash; 1970: Anand; Abhayam; Aparajeya; 1971: Gehra Raaz; Mere Apne; Samshayaphala; 1972: Annadata; Anokha Daan; Anokha Milan; Mere Bhaiya; Subse Bada Sukh; Marjina Abdallah**; 1973: Swapnam; 1974: Rajanigandha; Nellu; Chairman Chalamayya; 1975: Chhotisi Baat; Sangat; Onderupa Eradu Guna; Neela Ponman; Ragam; Rasaleela; Thomasleeha; 1976: Aparadhi; Thulavarsham; Jeevan Jyoti; Mrigaya; Uranchoo; 1977: Kabita**; Sister**; Minoo; Chinna Ninna Muddaduve; Kokila; Madanolsavam; Vishukkanni; 1978: Paruvamazhai; Ee Ganam Marakkumo; Etho Oru Swapnam; Samayamayilla Polum; Naukri; 1979: Jiban Je Rakam**; Srikanter Will**; Kala Patthar; Jeena Yahan; Chuvanna Chirakukal; Pratiksha; Puthiya Velicham; Azhiyada Kolangal; 1980: Chehre Pe Chehra; Byapika Biday**; Kuhasa; Room No. 203; Air Hostess; Paribesh**; Akaler Sandhaney; Doorathu Idhi Muzhakkam; Chirutha; Nani Maa; 1981: Plot No. 5; Agni Pareeksha; Batasi Jhada; Monchor; 1982: Andhiveyilille Ponnu; Dil Ka Saathi Dil; Darpok Ki Dosti (Sh); 1984: Kanoon Kya Karega; 1985: Pratigya; Devika; Manas Kanya; 1986: Jiban; 1988: Trishagni; 1989: Swarna Trishna; Jawahar; Kamala Ki Maut; 1990: Triyartri; Vasthuhara; 1991: Netraheen 
     44 
     45 
     46 
     47[[Music]]