| 1 | '''Sahir Ludhianvi (1921-80)''''''''' |
| 2 | |
| 3 | |
| 4 | Urdu lyricist and major poet born in Ludhiana. |
| 5 | Originally called Abdul Hayee. Author of two |
| 6 | anthologies (Talkhian, 1945, and Parchaiyan) |
| 7 | and several books, including Ao Koi Khawab |
| 8 | Banen and Gaata Jaye Banjara. Member of |
| 9 | the PWA. Worked extensively as a journalist, |
| 10 | editing the journal Adab-e-Latif, and briefly |
| 11 | Pritlari and Shahrab in Delhi. Moved to |
| 12 | Bombay (1949) and débuted in films with |
| 13 | Mahesh Kaul’s Naujawan (1951). First major |
| 14 | success was with Guru Dutt’s Baazi (1951). |
| 15 | Worked with Navketan productions and |
| 16 | formed a team with composer S.D. Burman |
| 17 | (e.g. Taxi Driver, 1954). Transferred the |
| 18 | progressive Urdu literature exemplified by poet |
| 19 | Faiz Ahmed Faiz to the Hindi film lyric, e.g. the |
| 20 | songs in Naya Daur (1957, esp. Saathi haath |
| 21 | badhana), Phir Subah Hogi (1958, esp. Woh |
| 22 | subah kabhi to aayegi) and all the classic songs |
| 23 | of Pyaasa (1957). Also claimed the influence |
| 24 | of Mayakovsky and Neruda. His songs |
| 25 | continue to influence all forms of radical music |
| 26 | (e.g. that of street theatre groups) while |
| 27 | remaining popular favourites. |
| 28 | |
| 29 | [[Music]] |
| 30 | |
| 31 | [[Writer]] |