| 1 | '''Saaransh''' |
| 2 | |
| 3 | |
| 4 | aka The Gist |
| 5 | 1984 137’ col Hindi |
| 6 | d/st/co-sc/co-dial Mahesh Bhatt pc Rajshree |
| 7 | Prod. co-sc Sujit Sen co-dial Amit Khanna |
| 8 | lyr Vasant Dev c Adeep Tandon m Ajit Varman |
| 9 | lp Rohini Hattangadi, Anupam Kher, Soni |
| 10 | Razdan, Madan Jain, Suhas Bhalekar, Nilu |
| 11 | Phule |
| 12 | |
| 13 | |
| 14 | Bhatt follows his successful Arth (1982) with |
| 15 | this expressionistic psychodrama about old |
| 16 | age, fading idealism and political corruption. |
| 17 | Old Pradhan (Kher, in his debut performance), |
| 18 | a retired headmaster, and his wife Parvati |
| 19 | (Hattangadi) learn that their son, studying in |
| 20 | New York, has been mugged and killed. |
| 21 | Pradhan goes through the trauma of |
| 22 | bureaucratic corruption to receive his cremated |
| 23 | son’s ashes at the airport. Their tenant Sujata |
| 24 | (Razdan), a young actress, is in love with Vilas |
| 25 | (Jain), whose father is the corrupt politician |
| 26 | Chitre (Phule). When Sujata finds herself |
| 27 | pregnant, Pradhan and Parvati believe that it is |
| 28 | their son reborn and protect Sujata from |
| 29 | Chitre’s threats. The problem of bureaucratic |
| 30 | ineptitude is solved when Pradhan goes to |
| 31 | meet a minister who turns out to be his former |
| 32 | student and still retains his old teacher’s sense |
| 33 | of integrity. In the end, the old couple are |
| 34 | reconciled to the loss of their son. The film has |
| 35 | an oppressive soundtrack, with heavy music |
| 36 | and effects underlining the states of loneliness, |
| 37 | fear and frustration. |
| 38 | |
| 39 | [[Film]] |