| 1 | '''SANGEET NATAK''' |
| 2 | |
| 3 | |
| 4 | Marathi musical theatre tradition believed to |
| 5 | have been launched by Vishnudas Bhave's |
| 6 | Seeta Swayamvar(1853). The play adapted the |
| 7 | coastal folk form of Dashavtara to the |
| 8 | proscenium, merging it with visual art and |
| 9 | theatrical forms from Tanjore while retaining |
| 10 | elements like the use of a mobile cu11ain to |
| 11 | signify spaces and to frame actors. It emerged |
| 12 | as a popular urban art form alongside the art |
| 13 | schools (practicing the academic visual art |
| 14 | on the elaborate stage backdrops) and |
| 15 | the music schools of the late 19th/earlv 20th |
| 16 | C. The best-known initial groups were |
| 17 | Annasaheb Kirloskar's Kirloskar :Natak Mandali |
| 18 | (Est: 1880), Keshavrao Bhosle's Lalitkaladarsh |
| 19 | (1908), Bal Gandharva's Gandharva Natak |
| 20 | Mandali 0913) and Govindrao Tembe's |
| 21 | Shivrai Natak Mandali (1915). Their initial |
| 22 | theatrical repertoire adapted Sanskrit classics |
| 23 | and Shakespeare: e.g. the famous playright |
| 24 | G.B. Deval wrote five major plays, three |
| 25 | adapting Kalidasa and one Shakespeare |
| 26 | (Othello, as Zunzbarrao, Hl90) with only one |
| 27 | original (Sangeet Sharada, 1898). The music |
| 28 | usually created popular vernacular versions of |
| 29 | classical North Indian music, adapted by |
| 30 | singers like Ramakrishnabua Vaze and |
| 31 | Bhaskarbua Bakhle (who taught Master |
| 32 | Krishnarao). The form increasingly came |
| 33 | under the influence of the operatic Parsee |
| 34 | theatre, creating an influential local version of |
| 35 | classical art, contemporaneous with (and |
| 36 | sometimes formally similar to) Ravi Varma's |
| 37 | paintings. The first feature film in India, |
| 38 | Pu11dalik 0912), is based on a Sangeei Natak |
| 39 | play by the Shripad Sangeet Mandali, Nasik. |
| 40 | Later, Baburao Painter- a noted painter of |
| 41 | stage backdrops translated its conventions |
| 42 | into cinematic mise en scene. The form greatly |
| 43 | influenced the early Prabhat Studio via e.g. the |
| 44 | noted composers Tembe and Krishnarao and |
| 45 | the stage stars Bal Gandharva and Vishnu pant |
| 46 | Pagnis, as well as many other theatre actors |
| 47 | who turned to the cinema. Sangeet Natak |
| 48 | troupes, travelling through Maharashtra, |
| 49 | Gujarar, Karnataka and Madhya Pradesh, also |
| 50 | set in place much of the distribution |
| 51 | infrastructure of the early Kolhapur and Pune based |
| 52 | Marathi cinema. |
| 53 | |
| 54 | [[Glossary]] |