| 1 | '''SALIM-JAVED (SALIM KHAN, JAVED AKHTAR)''' |
| 2 | |
| 3 | |
| 4 | The most successful scenarists of 70s Indian |
| 5 | cinema. Javed Akhtar, son of songwriter Jan |
| 6 | Nissar Akhtar and born in 1945 in Gwalior, |
| 7 | started his career in the late 60s writing the |
| 8 | dialogues of e.g. S.M. Sagar's Sarhadi lutera |
| 9 | (1966). Salim Khan established himself as a |
| 10 | scenarist with 70s megastar Rajesh Khanna's |
| 11 | hit Hathi Mere Saathi ( 1971). The two teamed |
| 12 | up to write e.g. dialogues for Ramesh Sippy's |
| 13 | Seeta Aur Geeta (1972) and the script for Nasir |
| 14 | Hussain's hit teen-picture, Yaadon Ki Baraat |
| 15 | 0973). They broke through as a team in 1973 |
| 16 | mainly with the rise of Amitabh Bachchan, |
| 17 | writing his first vigilante movie, Prakash |
| 18 | Mehra's Zanjeer 0973). Established |
| 19 | themselves in the wake of Bachchan's success, |
| 20 | with Deewar andSholay (both 1975), |
| 21 | followed by Don and Trishul (both 1978). |
| 22 | later claiming the authorship of the star's |
| 23 | screen persona. Became independent |
| 24 | attractions with equal billing as the stars while |
| 25 | inaugurating a new era in professional |
| 26 | screenplay writing. They separated shortly after |
| 27 | Aakhro Dao(1975), after which Akhtar wrote |
| 28 | several hit films such as Mr India (1989) and |
| 29 | the massively successful song Ek do teen of N. |
| 30 | Chandra'sTezaab (1988). Salim Khan |
| 31 | returned to top-billing status with Shashilal |
| 32 | Nair's Falak(l988) although he remained less |
| 33 | successful than his former partner. Together |
| 34 | with his wife Shabana Azml, Akhtar |
| 35 | participates in civil rights and communal |
| 36 | harmony campaigns. Khan's son Salman Khan |
| 37 | became a star with Maine Pyar Kiya (1989). |
| 38 | |
| 39 | [[Writer]] |