| 1 | '''Rudraveena''' |
| 2 | |
| 3 | |
| 4 | 1988 170’ col Telugu |
| 5 | d/s K. Balachander pc Anjana Prod. |
| 6 | p K. Nagendra Babu dial Ganesh Patro |
| 7 | lyr Seetharama Sastry c P. Raghunanda Reddy |
| 8 | m Ilaiyaraja |
| 9 | lp Chiranjeevi, Shobhana, Gemini Ganesh, |
| 10 | P.L. Narayana, Brahmanandam, Satyanarayana |
| 11 | |
| 12 | |
| 13 | Reformist Chiranjeevi movie addressing caste |
| 14 | in a calculated effort to achieve greater critical |
| 15 | respectability for the star (cf. Swayamkrushi, |
| 16 | 1987; Apathbandhavudu, 1992). The |
| 17 | Brahmin Suryam (Chiranjeevi) is trained in |
| 18 | music by his father, the reputed Carnatic |
| 19 | musician Ganapathi Sastry (Ganesh). However, |
| 20 | the father believes that music constitutes an |
| 21 | end in itself, while the son is committed to |
| 22 | uplifting the masses. Suryam falls for the Dalit |
| 23 | woman Lalitha (Shobhana), but his father’s |
| 24 | disapproval forces him to leave home. Suryam |
| 25 | becomes a political figure leading campaigns |
| 26 | advocating prohibition and starts local |
| 27 | cooperative movements. The father is betrayed |
| 28 | by his new disciple, who demands to learn a |
| 29 | rare raga as a dowry for marrying his daughter. |
| 30 | The end has the Prime Minister of the country |
| 31 | publicly congratulating Suryam for his actions |
| 32 | while the father recants and publicly |
| 33 | acknowledges that his son’s ideals were the |
| 34 | better ones. The film was awarded the ‘Nargis |
| 35 | Dutt National Integration’ award from the |
| 36 | national film jury. |
| 37 | |
| 38 | |
| 39 | [[Film]] |