| 1 | '''Ram Ke Naam''' |
| 2 | |
| 3 | |
| 4 | aka In the Name of God |
| 5 | 1992 90’ col Hindi |
| 6 | d/p/c Anand Patwardhan |
| 7 | The 2nd part of Patwardan’s investigation of |
| 8 | communalism in contemporary India (Una |
| 9 | Mitterandi Yaad Pyari, 1989). The film, shot |
| 10 | on 16mm, addresses the rise of a fanatic Hindu |
| 11 | right wing and its exploitation of the Ayodhya |
| 12 | temple in its bid for power. The Ramayana |
| 13 | suggests Ayodhya was the God Ram’s |
| 14 | birthplace. In 1528, one of the Mughal Emperor |
| 15 | Babar’s noblemen built the Babri Masjid |
| 16 | mosque there. In the late 19th C., both Hindus |
| 17 | and Muslims began claiming the site as a place |
| 18 | of worship. Since 1984, the Vishwa Hindu |
| 19 | Parishad, a militant Hindu organisation allied |
| 20 | with the BJP, rekindled and converted the old |
| 21 | dispute into a nationwide political programme, |
| 22 | affirming that the very spot where the mosque |
| 23 | was built marks Ram’s birthplace. They called |
| 24 | for the mosque to be demolished and for a |
| 25 | Hindu temple to be erected instead. In 1990, |
| 26 | the BJP’s leader, L.K. Advani, went on a ‘Rath |
| 27 | Yatra’, a chariot procession from Somnath to |
| 28 | Ayodhya, inciting violent communal riots en |
| 29 | route. Advani’s arrest led to the downfall of V.P. |
| 30 | Singh’s minority Janata Dal government and, |
| 31 | later that year, to the violent Kar Seva |
| 32 | (reconstruction) programme that saw, amid |
| 33 | several killings, VHP men take over the |
| 34 | mosque. Since then the Hindu fanatics have |
| 35 | used the issue as a bargaining ploy against the |
| 36 | ruling Congress regime. Patwardhan follows |
| 37 | some of the infamous Rath Yatra and |
| 38 | documents the Kar Seva itself, exposing the |
| 39 | link between the local police and the militant |
| 40 | mobs. Interviewing his subjects while |
| 41 | operating the camera, Patwardhan has most of |
| 42 | his speakers address the camera directly, |
| 43 | revealing, often indirectly, their actual |
| 44 | motivations. Patwardhan also includes the |
| 45 | confession of the man who was employed to |
| 46 | aggravate communal strife by placing idols in |
| 47 | the temple and the remarkable statements of |
| 48 | the priest in charge of the temple (who was |
| 49 | later assassinated for his anti-communalist |
| 50 | position). |
| 51 | |
| 52 | [[Film]] |