| 1 | '''R. Padmanabhan (b. 1896)''' |
| 2 | |
| 3 | |
| 4 | One of the pioneer Tamil producer-directors. |
| 5 | Son of a Sivagangai-based lawyer, entered |
| 6 | films as distributor (1926) of Indian and |
| 7 | imported films and retailer of cinema |
| 8 | equipment. Set up the Madras-based |
| 9 | Associated Films Studio (1928) with financial |
| 10 | support from K.S. Venkatramani Iyer (fatherin- |
| 11 | law of K. Subramanyam). The studio’s |
| 12 | early work includes Raja Sandow’s first films. |
| 13 | In the silent era, run by technicians imported |
| 14 | from Bombay, it was the biggest South Indian |
| 15 | production centre after General Pics. With |
| 16 | the coming of sound, Padmanabhan first |
| 17 | returned to distribution; then director for |
| 18 | Oriental Films, a partnership involving |
| 19 | Ramalinga Mudaliar. |
| 20 | |
| 21 | |
| 22 | '''FILMOGRAPHY:''' 1935: Maya Bazaar; |
| 23 | Dhruva; Nalla Thangal; Subhadra Haran; |
| 24 | 1936: Nalayini; Garuda Garvabhangam; |
| 25 | 1937: Setu Bandhanam; Asai; 1940: |
| 26 | Meenakshi Kalyanam; 1941: Maya Jyothi; |
| 27 | Appothi Adigal; 1943: Devakanya; 1945: |
| 28 | Bhakta Kalathi; 1946: Setu Bandhanam; |
| 29 | Sakata Yogam; 1949: Raksharekha; 1952: |
| 30 | Kumari; Rajeshwari; 1955: Ellam Inbamayam; |
| 31 | 1962: Indra En Selvam. |
| 32 | |
| 33 | [[Producer]] |
| 34 | |
| 35 | [[Director]] |