| 1 | |
| 2 | == Priyanath N. Ganguly (1887-1956) == |
| 3 | |
| 4 | One of Madan’s top silent directors together |
| 5 | with Jyotish Bannerjee. Started working for |
| 6 | Madan in 1904. Directorial début with |
| 7 | experimental comedy short Bear-scare in the |
| 8 | Rajah’s Garden Party. Embarked on a series |
| 9 | of documentaries, Swadeshi Films, for Madan’s |
| 10 | Elphinstone Bioscope, made with Kumar |
| 11 | Gupta and covering e.g. the Prince of Wales’s |
| 12 | visit (1905), the Grand Masonic Procession |
| 13 | (1906), etc. Started Asiatic Cinematograph Co. |
| 14 | in Calcutta, a production and distribution |
| 15 | concern that built two theatres in the city and |
| 16 | shot Indian visit of George V in direct |
| 17 | competition with the Madan unit and Hiralal |
| 18 | Sen (1911). Early features at Madan included |
| 19 | versions of Bankimchandra Chatterjee’s novels |
| 20 | (Krishnakanter Will, Durgesh Nandini and |
| 21 | Debi Choudhrani). Manager of Madan’s |
| 22 | Elphinstone Picture Palace in the early 30s. |
| 23 | Joined East India Film and took over Kali |
| 24 | Films/India Film Industry (1935) where he |
| 25 | hired Sisir Bhaduri, Satu Sen, Sushil |
| 26 | Majumdar, Tulsi Lahiri and encouraged the |
| 27 | post-Kallol generation of film-makers (esp. |
| 28 | novelist-film-maker Sailajananda Mukherjee, |
| 29 | filming his novel Pataal Puri). Kali Films also |
| 30 | produced the first film in Oriya, the |
| 31 | mythological Seeta Bibaha (1934). |
| 32 | |
| 33 | FILMOGRAPHY: 1926: Krishnakanter Will; |
| 34 | 1927: Jana; Durgesh Nandini; 1929: Kapal |
| 35 | Kundala; 1930: Kal Parinaya; 1931: Debi |
| 36 | Choudhrani (all St); Prahlad; 1933: Jamuna |
| 37 | Puliney/Radha Krishna; 1934: Taruni; 1935: |
| 38 | Pataal Puri; Bidyasundar; 1936: Kal |
| 39 | Parinaya. |
| 40 | |
| 41 | [[Directors]] |