| 1 | '''Premendra Mitra (1904-88)''' |
| 2 | |
| 3 | |
| 4 | Bengali director and writer born in Benares, |
| 5 | UP. Major short story writer, poet and novelist |
| 6 | of Kallol era, associated with journal |
| 7 | Kalikalam (Est: 1926). One of the main Bengali |
| 8 | literary figures to move to film, first as scenarist, |
| 9 | then as director (others were Sailajananda |
| 10 | Mukherjee and Dinesh Ranjan Das). Studied |
| 11 | briefly at Shantiniketan and later at Dhaka. |
| 12 | Worked as journalist on Banglar Katha; later |
| 13 | edited the children’s journal, Rangmashal |
| 14 | (1933), and worked on Nabashakti (1936). First |
| 15 | major novel, Pank (Mud, 1924), published by |
| 16 | journal Kallol in 1926 and criticised by |
| 17 | Rabindranath Tagore for obscenity, was an |
| 18 | important event in articulating the journal’s |
| 19 | anti-romantic stance. Wrote c.150 books, |
| 20 | including novels, essay collections, short |
| 21 | stories and poems. Entered film as scenarist, |
| 22 | writing the dialogue for Charu Roy’s Graher |
| 23 | Pher (1936). Best-known work for Dhiren |
| 24 | Ganguly, Niren Lahiri and Sushil |
| 25 | Majumdar. Considered his film scripts |
| 26 | sentimental and not representative of his best |
| 27 | writing, and later disowned his cinema entirely. |
| 28 | His own films, introducing a sentimentalised |
| 29 | socialist realism to the traditional social, |
| 30 | combined aspects of pre-WW2 Bengali |
| 31 | modernist fiction, IPTA influences (Moyla |
| 32 | Kagaj) and the post-WW2 assimilation of |
| 33 | melodramatic Italian neo-realism. Wrote all his |
| 34 | own films; provided scripts and at times |
| 35 | dialogues and lyrics for e.g. Ganguly’s Ahuti |
| 36 | (1941) and Daabi (1943), Sushil Majumdar’s |
| 37 | Rikta (1939), Pratishodh (1941), Avayer Biye |
| 38 | (1942), Jogajog (1943) and Digbhranta (1950), |
| 39 | Phani Burma’s Byabadhan (1940) and |
| 40 | Debaki Bose’s Sagar Sangamey (1959). Also |
| 41 | dialogues for Prafulla Roy’s Nari (1942) lyrics |
| 42 | for Jyotish Bannerjee’s Milan (1942). Many of |
| 43 | his stories have been filmed, e.g. Mrinal Sen’s |
| 44 | Khandhar (1983). An English anthology of |
| 45 | short stories was published in 1990. |
| 46 | |
| 47 | |
| 48 | '''FILMOGRAPHY:''' 1943: Samadhan; 1944: |
| 49 | Bideshini; 1945: Path Bendhe Dilo; Raj |
| 50 | Lakshmi; 1947: Natun Khabar; 1948: Kalo |
| 51 | Chhaya; 1949: Kuasha; 1950: Kankantala |
| 52 | Light Railway; 1951: Setu; 1952: Hanabari; |
| 53 | 1953: Dui Beyai; 1954: Moyla Kagaj; 1955: |
| 54 | Dakinir Char; 1960: Chhupi Chhupi Ashey. |
| 55 | |
| 56 | [[Director]] |
| 57 | |
| 58 | [[Actor]] |