| 1 | '''Prahaar''' |
| 2 | |
| 3 | |
| 4 | 1991 166’ col/scope Hindi |
| 5 | d/co-s Nana Patekar pc Divya Films Combine |
| 6 | co-s Sujit Sen dial Hriday Lani lyr Mangesh |
| 7 | Kulkarni c Debu Deodhar m Laxmikant- |
| 8 | Pyarelal |
| 9 | lp Nana Patekar, Dimple Kapadia, Madhuri |
| 10 | Dixit, Habib Tanvir |
| 11 | |
| 12 | |
| 13 | Patekar’s weirdly fascist fantasy of a military |
| 14 | Pied Piper followed by naked boys about to be |
| 15 | transformed into a glorious army of bullies |
| 16 | which will sort out the mess created by |
| 17 | ‘emasculated’ people in the real world. The first |
| 18 | half of the film lovingly portrays a dictatorial |
| 19 | Major Chouhan (Patekar himself) subjecting the |
| 20 | youthful male bodies to some gruelling tests. |
| 21 | We learn that the major’s Messianism is rooted |
| 22 | in a tragic childhood: his mother was sold as a |
| 23 | prostitute and he spends the rest of his life |
| 24 | compensating for the helplessness he felt then. |
| 25 | When one of the major’s wards is killed by |
| 26 | gangsters extracting protection money from his |
| 27 | father, the local baker, Patekar confronts the |
| 28 | thugs, but the ordinary folk in the area do not |
| 29 | understand the need for drastic action and the |
| 30 | hero is forced to massacre the villains in the |
| 31 | dead of night, watched only by the widow of |
| 32 | one of their former victims. The climax is, in |
| 33 | the light of subsequent events in Bombay, a |
| 34 | chillingly deliberate orgy of violence. The |
| 35 | ensuing court case sentences Patekar to a |
| 36 | lunatic asylum, where he fantasises about his |
| 37 | naked, pubescent army. |
| 38 | |
| 39 | [[Film]] |