| 1 | '''Paroma/Parama''' |
| 2 | |
| 3 | |
| 4 | 1985 134’[B]/138’[H] col Bengali/Hindi |
| 5 | d/s Aparna Sen pc Usha Ents lyr Gulzar |
| 6 | c Ashok Mehta m Bhaskar Chandavarkar |
| 7 | lp Raakhee, Sandhya Rani Chatterjee, Aparna |
| 8 | Sen, Mukul Sharma, Dipankar De, Anil |
| 9 | Chatterjee, Bharati Devi, Chitti Ghosal, Manas |
| 10 | Mukherjee Jr, Arjun Guha-Thakurta |
| 11 | |
| 12 | |
| 13 | Sen followed up her directorial debut, 36 |
| 14 | Chowringhee Lane (1981) with this story |
| 15 | about a 40-year-old married woman, Parama |
| 16 | (Raakhee) who falls in love with Rahul |
| 17 | (Sharma), an expatriate photo-journalist |
| 18 | working for glossy magazines who |
| 19 | photographs her making her look glamorous. |
| 20 | Their affair, and the invasion of the glamour |
| 21 | machine into her life, becomes a problem |
| 22 | when some of the photographs, earlier |
| 23 | admired by the family, are published in a |
| 24 | journal. Parama is rejected by her husband and |
| 25 | has a mental breakdown. In the end, a doctor |
| 26 | suggests prescribing psychiatric treatment and |
| 27 | when Parama adamantly refuses any sense of |
| 28 | guilt, her young daughter comes and gives her |
| 29 | mother moral support. The film is notable |
| 30 | mainly for its emancipatory thrust, undermined |
| 31 | by a class-inflected sense of nostalgia for |
| 32 | ‘belonging’, rather than for its cinematic |
| 33 | qualities which are akin to the kitschy style of |
| 34 | glossy consumer magazines. The Bengali |
| 35 | version, shown in Calcutta amid much |
| 36 | controversy, was successful; the Hindi version |
| 37 | received a fitful release. |
| 38 | |
| 39 | [[Film]] |