| 1 | '''Papori''' |
| 2 | |
| 3 | |
| 4 | 1986 144’ col Assamese |
| 5 | d/sc Jahnu Barua pc Patkai Films st Heu-En |
| 6 | Barua c Binod Pradhan m Satya Barua, |
| 7 | P.P. Vaidyanathan |
| 8 | lp Biju Phukan, Gopi Desai, Sushil Goswami, |
| 9 | Dulal Roy, Runjun, Amulya Kakoti |
| 10 | |
| 11 | |
| 12 | Grim melodrama set in the context of the All- |
| 13 | Assam Students’ Union agitations during the |
| 14 | 1983 elections, a familiar setting for mainstream |
| 15 | Assamese cinema of the period (cf. Hem Bora’s |
| 16 | Sankalpa, 1986). Papori’s (Desai) husband |
| 17 | Binod (Goswami) is falsely arrested for murder. |
| 18 | Her daughter is in hospital, where she |
| 19 | eventually dies. Papori’s only support, a police |
| 20 | inspector (Phukan), finds the true murderer but |
| 21 | cannot arrest him because the killer enjoys |
| 22 | political protection. Papori is raped by a |
| 23 | smuggler, her husband is convicted of murder |
| 24 | and only an arbitrarily added epilogue, |
| 25 | claiming that the husband is eventually freed |
| 26 | and the good inspector promoted, brings a |
| 27 | glimmer of relief. In his later Halodiya |
| 28 | Choraye Baodhan Khaye (1987), Barua |
| 29 | again weaves contemporary political events |
| 30 | into a melodramatic plot. |
| 31 | |
| 32 | [[Film]] |