| 1 | '''Panchagni''' |
| 2 | |
| 3 | |
| 4 | aka Five Fires |
| 5 | 1986 141’ col Malayalam |
| 6 | d T. Hariharan p G.P. Vijay Kumar, |
| 7 | M.G. Gopinath pc Seven Arts Films |
| 8 | s M.T. Vasudevan Nair c Shaji N. Karun |
| 9 | m Ravi |
| 10 | lp Geetha, Mohanlal, Nadia Moidu, Thilakan |
| 11 | As in the romantic socialist realism of |
| 12 | Meenamasathile Sooryan (1985), this film |
| 13 | Panchagni |
| 14 | aka Five Fires |
| 15 | 1986 141’ col Malayalam |
| 16 | d T. Hariharan p G.P. Vijay Kumar, |
| 17 | M.G. Gopinath pc Seven Arts Films |
| 18 | s M.T. Vasudevan Nair c Shaji N. Karun |
| 19 | m Ravi |
| 20 | lp Geetha, Mohanlal, Nadia Moidu, Thilakan |
| 21 | As in the romantic socialist realism of |
| 22 | Meenamasathile Sooryan (1985), this filmextols the virtues |
| 23 | of radical political activists but, contrary to Rajendran’s film, Hariharan |
| 24 | exploits the unpleasant aspects of |
| 25 | revolutionary violence. The central figure is |
| 26 | Indira (Geetha), imprisoned for murder and on |
| 27 | hunger strike. Allowed to visit her dying |
| 28 | mother, a former activist in the Independence |
| 29 | struggle, on a two-week pass, she encounters |
| 30 | unmitigated hostility from some members of |
| 31 | her family although her old mother welcomes |
| 32 | her warmly. Persecuted by the villagers as well |
| 33 | as by the police, Indira eventually turns to a |
| 34 | journalist, Rashid (Mohanlal), to unburden |
| 35 | herself, recounting the circumstances of her |
| 36 | crime. In the politically turbulent 60s in Kerala, |
| 37 | she had been a welfare officer who had led a |
| 38 | group which hacked to death a particularly |
| 39 | vicious landowner. Later, when she is released, |
| 40 | she shoots the husband of her best friend for |
| 41 | participating in a brutal gang rape of a servant |
| 42 | girl. Then she calmly awaits being imprisoned |
| 43 | again. The film was a commercial hit. |
| 44 | |
| 45 | [[Film]] |