| 1 | '''Pammal Vijayaranga Sambandham Mudaliar (1872-1964)''' |
| 2 | |
| 3 | |
| 4 | Influential Tamil director; former lawyer and |
| 5 | dramatist. Founded the amateur theatre group |
| 6 | Suguna Vilas Sabha (1904), staging e.g. |
| 7 | Shakespeare and Sanskrit classics in the |
| 8 | Victoria Public Hall, Madras. Wrote c.68 plays |
| 9 | staged for the city’s political and cultural élite. |
| 10 | Many of his plays were filmed, often directly |
| 11 | from the stage: e.g. Sarvottam Badami’s |
| 12 | Galava Rishi (1932), the second Tamil sound |
| 13 | feature, and Mudaliar’s own directions Sati |
| 14 | Sulochana and Manohara. Other films based |
| 15 | on his plays, setting the norms for an élite, |
| 16 | ‘apolitical’ entertainment, include Prafulla |
| 17 | Ghosh’s Ratnavali (1935), M.L. Tandon’s |
| 18 | Yayati (1938), T.R. Raghunath’s Ramalinga |
| 19 | Swamigal (1939), K.S. Mani’s Chandrahari |
| 20 | (1941), Murugadasa’s Urvashi Sahasam |
| 21 | (1940), Duncan’s Daasi Penn (1943), A.V. |
| 22 | Meiyappan’s Sabhapati (1941) and Vethala |
| 23 | Ulagam (1948). Published two books on Tamil |
| 24 | film in 1937. |
| 25 | |
| 26 | |
| 27 | '''FILMOGRAPHY''' (* also act): 1934: Sati |
| 28 | Sulochana; 1936: Manohara*. |
| 29 | |
| 30 | [[Director]] |