| 1 | '''Paar''''''''' |
| 2 | |
| 3 | |
| 4 | aka The Crossing |
| 5 | 1984 141’(120’) col Hindi |
| 6 | d/co-sc/c/m Gautam Ghose pc Orchid Films |
| 7 | co-sc Partha Bannerjee st Samaresh Bose’s short |
| 8 | story Paarhi dial S.P. Singh. |
| 9 | lp Naseeruddin Shah, Shabana Azmi, Utpal |
| 10 | Dutt, Om Puri, Mohan Agashe, Anil |
| 11 | Chatterjee, Ruma Guha-Thakurta, Sunil |
| 12 | Mukherjee, Kamu Mukherjee |
| 13 | |
| 14 | |
| 15 | One of the former photo-journalist and |
| 16 | documentarist Ghosh’s best-known films, it |
| 17 | features a familiar New Indian Cinema cast: |
| 18 | Shah, Puri and Azmi. A fable of exploitation in |
| 19 | rural Bihar, in which the landlord’s (Dutt) men |
| 20 | wreck a village and kill the benevolent |
| 21 | schoolmaster (Chatterjee) who was its |
| 22 | progressive force. The labourer Naurangia |
| 23 | (Shah) breaks with a tradition of passive |
| 24 | resistance and retaliates by killing the |
| 25 | landlord’s brother. Naurangia and his wife |
| 26 | Rama (Azmi) become fugitives from justice. |
| 27 | After many efforts to find sustenance |
| 28 | elsewhere, the two decide to return home. To |
| 29 | earn the fare, they agree to drive a herd of pigs |
| 30 | through a river, causing the pregnant Rama to |
| 31 | believe she has lost her baby. At the end of the |
| 32 | film Naurangia puts his ear to her belly and |
| 33 | listens to the heartbeats of the unborn child. |
| 34 | The original short story dealt mainly with the |
| 35 | river crossing and the film was criticised for not |
| 36 | adequately integrating this episode with the |
| 37 | others. With this film Ghosh joined the trend of |
| 38 | 70s ruralist realism, although the river-crossing |
| 39 | episode achieves a wider metaphoric |
| 40 | resonance. |
| 41 | |
| 42 | [[Film]] |