| 1 | '''P. Neelakantan (b. 1916)''' |
| 2 | |
| 3 | Tamil director associated mainly with MGR’s |
| 4 | persona; also worked in Sinhalese (Suneetha |
| 5 | and Sujake Rahase) and Kannada. Born in |
| 6 | Villuppuram. Congress Party worker aged 15. |
| 7 | Former journalist (with Jeevamani in 1935, |
| 8 | Vijayan in 1936, Indira in 1940 and established |
| 9 | his own journal Kalaivani in 1940) and radio |
| 10 | playwright. Broke through with two famous |
| 11 | plays, Mullil Roja, performed by the TKS |
| 12 | Brothers and attacking the Devadasi system, |
| 13 | and Nam Iruvar, staged by N.S. Krishnan’s |
| 14 | theatre troupe (Krishnan was in jail at the time |
| 15 | and the play was done by T.A. Mathuram and |
| 16 | S.V. Sahasranamam). Nam Iruvar was later |
| 17 | filmed by A.V. Meiyappan (1947) as a |
| 18 | stridently nationalist drama with Neelakantan’s |
| 19 | script (he was also asst. d). Its success |
| 20 | established AVM and was followed by other |
| 21 | scripts for Meiyappan, including the hits |
| 22 | Vethala Ulagam (1948) and Vazhkai (1949). |
| 23 | Directorial début: Ore Iravu, based on a noted |
| 24 | play by the DMK’s founder, C.N. Annadurai, |
| 25 | who also scripted the film. Shifted briefly to |
| 26 | Kannada to direct two films produced by and |
| 27 | starring B.R. Panthulu (Modalatedi and |
| 28 | Shivasharane Nambekka), before returning to |
| 29 | the DMK film idiom with Tamil hits like |
| 30 | Ambikapathy with Sivaji Ganesan. Directed |
| 31 | two films with Karunanidhi scripts, |
| 32 | Poompuhar and Poomalai. Was a partner in |
| 33 | Panthulu’s Padmini Pics before starting his own |
| 34 | Arasu Prod. (1957). Most of his films star MGR. |
| 35 | According to M.S.S. Pandian (1992), the hit |
| 36 | Thirudathe inaugurated the MGR persona of a |
| 37 | subaltern in the service of society. This trend |
| 38 | continued in Mattukkara Velan with MGR |
| 39 | playing the double role of the cowherd and the |
| 40 | lawyer, and in Ninaithathai Mudippavan with |
| 41 | MGR demonstratively consuming proletarian |
| 42 | food and displaying an inability to eat peas |
| 43 | with a fork. |
| 44 | |
| 45 | '''FILMOGRAPHY:''' 1951: Ore Iravu; 1954: |
| 46 | Kalyanam Panniyum Brahmachari; 1955: |
| 47 | Gomathiyin Kathali; Modalatedi/Mudhal |
| 48 | Thedi; Shivasharane Nambekka; 1957: |
| 49 | Ambikapathy; Chakravarthi Thirumagal; |
| 50 | 1958: Thedi Vantha Selvam; 1960: Advantha |
| 51 | Daivam; 1961: Nallavan Vazhvan; |
| 52 | Thirudathe; 1962: Ethayum Thangam Idayam; |
| 53 | 1963: Koduthu Vaithaval; Raj Mahal; 1964: |
| 54 | Poompuhar; 1965: Anandi; Poomalai; 1966: |
| 55 | Avan Pithana; 1967: Kavalkaran; 1968: |
| 56 | Kanavan; Kannan En Kathalan; 1969: |
| 57 | Mattukkara Velan; 1970: En Annan; 1971: |
| 58 | Neerum Neruppum; Oru Thai Makkal; Kumari |
| 59 | Kottam; 1972: Raman Thediya Seethai; Sangey |
| 60 | Muzhangu; 1974: Netru Indru Nalai; 1975: |
| 61 | Ninaithathai Mudippavan; 1976: Needhikku |
| 62 | Thalai Vanangu; 1981: Daiva Thirumanangal. |
| 63 | |
| 64 | [[Director]] |