| 1 | '''Oomai Vizhigal''' |
| 2 | |
| 3 | |
| 4 | aka The Dumb Eyes |
| 5 | 1986 176’ col/scope Tamil |
| 6 | d R. Aravindraj pc Thirai Chirpi |
| 7 | s/p/lyr Aabavanan c A. Rameshkumar m Manoj |
| 8 | Gyan |
| 9 | lp Vijayakanth, Jaishankar, Karthik, |
| 10 | Chandrasekhar, Arunpandian, Kokila, Saritha, |
| 11 | Ilavarasi, Srividya |
| 12 | |
| 13 | |
| 14 | An exploitative expose film by a group of film |
| 15 | students using hand-held camera, emphatic |
| 16 | lighting and location sound techniques. A man |
| 17 | with good political and criminal connections |
| 18 | kills women who come and picnic near his |
| 19 | mansion. After much bloodletting, the villains |
| 20 | are eliminated by an honest cop and a fearless |
| 21 | newspaper editor (Jaishankar) as the cop |
| 22 | pumps his bullets, in slow motion, into the |
| 23 | slasher’s body. The gory film is leavened with |
| 24 | song and dance numbers and references to |
| 25 | violent incidents of Tamil Nadu political life: |
| 26 | e.g. the storming of the newspaper office. A |
| 27 | song, sung by the editor, later became famous |
| 28 | as it was used at political and trade union |
| 29 | demonstrations, and later became the theme |
| 30 | song for the Tamil Eelam. The film’s major |
| 31 | impact however was to introduce alumni of the |
| 32 | Madras Film Institute into the mainstream Tamil |
| 33 | film industry. |
| 34 | |
| 35 | [[Film]] |