| 1 | '''Nireekshe''' |
| 2 | |
| 3 | |
| 4 | 1994 113’ col Kodava |
| 5 | d/co-p/co-sc/c D. Prasad pc Memorable Movies |
| 6 | co-p U. Chandrasena st Chittaranjan |
| 7 | co-sc/dial A.C. Kariappa m Vijayakumar |
| 8 | lp Nanjundaiah, Bhargavi Narayanan, Madrira |
| 9 | Sanju, Mamatha, Addanda C. Kariappa, |
| 10 | Achiyanda Aiyappamaiyya, Chendanda |
| 11 | Subbaiah, Chekkera Sushila Thyagaraj |
| 12 | |
| 13 | |
| 14 | Remarkable experimental debut feature in the |
| 15 | Kodava dialect from the Coorg region. Set on |
| 16 | the eve of Independence, the story covers the |
| 17 | night of 13 August 1947, showing a small group |
| 18 | of characters in the colonial tea plantation of |
| 19 | Chengappa (Nanjundaiah) and his wife. When |
| 20 | a British flag is replaced by an Indian one, a |
| 21 | police raid ensues. The main story tells of the |
| 22 | servant Ponnu (Sanju), his relationship with his |
| 23 | employers and with the suffering Kaveri |
| 24 | (Mamatha). The most extraordinary aspect of |
| 25 | the film is its camerawork with extended |
| 26 | sequence shots, often lasting for 10mins, |
| 27 | underscoring the elegaic minimalism of |
| 28 | performance and narrative style. The day |
| 29 | dawns and with it independence, but the |
| 30 | promised utopia is accompanied by the news |
| 31 | that Kaveri has been killed by her husband. |
| 32 | |
| 33 | [[Film]] |