| 1 | '''Nirbachana''' |
| 2 | |
| 3 | 1994 107’ col Oriya |
| 4 | d/sc Biplab Roy Choudhury pc NFDC |
| 5 | st Prafulla Roy dial Hrishikesh Panda c Raju |
| 6 | Mishra m Shantanu Mahapatra |
| 7 | lp Bhim Singh, Bidyut Prava Patnaik, Durlabh |
| 8 | Chandra Singh, Sangeeta Dutta, Sasmita |
| 9 | |
| 10 | |
| 11 | Roy Choudhury’s savagely ironic allegory of |
| 12 | rural politics in Orissa. The villagers of |
| 13 | Mankonal, surrounded by rapidly depleting |
| 14 | stone quarries, are offered Rs 100 for every |
| 15 | vote they give the local Zamindar who is |
| 16 | contesting a State election. Villagers Bharasa |
| 17 | and Laxmi, desperately in need of extra money, |
| 18 | ‘adopt’ a terminally ill beggar and attempt to |
| 19 | keep him alive until the election so that his |
| 20 | vote may fetch them the extra money they |
| 21 | require for their son’s marriage. The old man’s |
| 22 | condition deteriorates and they have to carry |
| 23 | him through the quarries to hospital. On the |
| 24 | way, they blunder onto a dynamite blast which |
| 25 | blows the old man to bits. The film |
| 26 | demonstrates an exemplary control over its |
| 27 | narrative as quarry explosions rend the air, |
| 28 | throwing up continuous clouds of acrid dust, |
| 29 | and picture cut-outs of the politician-landlord |
| 30 | weave through the lives of the villagers like |
| 31 | grotesquely surreal comments both on the |
| 32 | bizarre situation as well as on the forms of |
| 33 | realism usually deployed by Indian film for |
| 34 | these themes. The film was briefly denied a |
| 35 | censorship certificate, apparently because of an |
| 36 | unintended physical resemblance between its |
| 37 | fictional politician and the then-Information & |
| 38 | Broadcasting Minister. |
| 39 | |
| 40 | [[Film]] |