Changes between Initial Version and Version 1 of Nayakan


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Timestamp:
Jul 17, 2012, 8:27:48 PM (12 years ago)
Author:
Trupti
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  • Nayakan

    v1 v1  
     1'''Nayakan''' 
     2 
     3 
     4aka Hero 
     51987 155’ col Tamil 
     6d/s Mani Rathnam pc Sujatha Films, Mukta 
     7Films dial Balakumaran co-lyr Pulamai Pithan 
     8c P.C. Sriram co-lyr/m Ilaiyaraja 
     9lp Kamalahasan, Saranya, M.V. Vasudeva Rao, 
     10Janakaraj, Delhi Ganesh, Karthika, Nizhalgal 
     11Ravi, Tinnu Anand, Nasser, Vijayan 
     12 
     13 
     14Rathnam’s controversial breakthrough film is a 
     15version of The Godfather (1972), based on the 
     16life of the Bombay gangster Varadarajan 
     17Mudaliar, played by Kamalahasan (at times 
     18explicitly imitating Brando). Seeing his father, a 
     19trade union activist, brutally murdered by the 
     20police in Tuticorin, the son runs away to 
     21Bombay and becomes Velu Naicker, the 
     22ruthless Godfather with a Robin Hood streak in 
     23the Dharavi slums, assisted by Ganesh in the 
     24Robert Duval role. Velu becomes Bombay’s 
     25minority Tamil population’s ‘Nayakan’ (hero/ 
     26star/leader) and saviour. His daughter Charu 
     27(Karthika) walks out and marries the assistant 
     28chief of police. Velu is eventually shot by a 
     29mentally retarded youth (Anand) he had taken 
     30into his care. Although Kamalahasan’s 
     31performance was widely lauded, critics like 
     32K. Hariharan noted that the degree to which 
     33the star monopolises the film made ‘other 
     34characters seem either underdeveloped or 
     35perfunctory’. The cinematography takes its cue 
     36from Gordon Willis while Thotha Tharani’s art 
     37direction follows the conventions of 
     38Hollywood gangster films and concentrates on 
     39cars and decors. However, the film is more 
     40than a Hollywood pastiche: it draws on 30 
     41years of Tamil Nadu’s star/politician images 
     42(including the spotless, all-white uniform of the 
     43Tamil politician, chewing betel-leaf) and 
     44directly plays to Tamil people’s anti-Hindi 
     45feelings when Velu, beaten up, gives the 
     46hugely popular reply in Tamil to a Hindispeaking 
     47Bombay cop: ‘If I ever hit you, you 
     48will die.’ The latter half of the film virtually 
     49abandons Bombay as a location in favour of 
     50studio interiors and goes to Madras for the 
     51climax. The success of the film was crucial to 
     52Mani Rathnam’s career, establishing him as the 
     53leading Tamil director of his time. 
     54 
     55[[Film]]