| 1 | |
| 2 | == Naval Gandhi (b. 1897) == |
| 3 | |
| 4 | Hindi director born in Karachi. Graduated in |
| 5 | Ahmedabad (1919) and went on European |
| 6 | study tour. Joined Irani’s Majestic (1923). Later |
| 7 | worked at Orient Pics where he made one of |
| 8 | the most discussed quality films of the silent |
| 9 | era, Balidan, adapted from Tagore. Went on |
| 10 | Jayshree Gadkar in Patlachi Soon (1966) |
| 11 | film, imaged repeatedly as innocent and tearful |
| 12 | daughter-in-law in some of the longest and |
| 13 | most sentimental Marathi socials/melodramas |
| 14 | (e.g. Bhalji Pendharkar’s Mohityanchi |
| 15 | Manjula). Early work strongly influenced by |
| 16 | Hansa Wadkar who played her foster-mother |
| 17 | in her first major hit, Sangtye Aika. Played |
| 18 | Tamasha dancing-girl in several Anant Mane |
| 19 | and Dinkar D. Patil rural melodramas in the |
| 20 | 60s, when Dhirubhai Desai and Babubhai |
| 21 | Mistri also cast her in Hindi mythologicals. |
| 22 | Now associated with roles opposite stunt star |
| 23 | Dara Singh in Chandrakant films (Har Har |
| 24 | Mahadev, Kisan Aur Bhagwan). Published |
| 25 | autobiography in 1986. |
| 26 | FILMOGRAPHY: 1956: Dista Tasa Nasta; |
| 27 | Gaath Padli Thaka Thaka; 1957: Aliya |
| 28 | Bhogasi; Aai Mala Kshama Kar; Pahila Prem; |
| 29 | Devagharcha Lena; Utavala Narad; 1958: |
| 30 | Sanskar; Padada; 1959: Sangtye Aika; Yala |
| 31 | Jeevan Aise Nav; Pativrata; Ek Armaan Mera; |
| 32 | Madari; Do Gunde; Charnon Ki Dasi; 1960: |
| 33 | Avaghachi Sansar; Lagnala Jato Mi; Saranga; |
| 34 | Paishyacha Paoos; Pancharati; Bindiya; Police |
| 35 | Detective; 1961: Kalanka Shobha; Manini; |
| 36 | Rangapanchami; Shahir Parashuram; |
| 37 | Vyjayanti; Jai Bhawani; Ramleela; Sasural; |
| 38 | 1962: Baap Mazha Brahmachari; Bhagya |
| 39 | Lakshmi; Preeti Vivah; Sukh Ale Majhya Daari; |
| 40 | Private Secretary; 1963: Mohityanchi Manjula; |
| 41 | Naar Nirmite Nara; Subhadra Haran; |
| 42 | Sukhachi Savli; Yeh Dil Kisko Doon; Mere |
| 43 | Arman Mere Sapne; 1964: Ek Don Teen; Kai |
| 44 | Ho Chamatkar; Saval Mazha Aika; Sundara |
| 45 | Manamadhye Bharli; Vaishakh Vanava; Sati |
| 46 | Savitri; Seeta Maiya; 1965: Gopal Krishna; |
| 47 | Mahasati Ansuya; Aai Kuna Mhanu Mi; |
| 48 | Malhari Martand; Sadhi Manse; Yugo Yugo |
| 49 | Mi Vat Pahili; Kadhi Karishi Lagna Mazhe; |
| 50 | 1966: Toofan Mein Pyar Kahan; Hi Naar |
| 51 | Rupasundari; Hirva Chuda; Patlachi Soon; |
| 52 | Pavanakathcha Dhondi; Veer Bajrang; 1967: |
| 53 | Poonam Ka Chand; Baharon Ke Sapne; Bai Mi |
| 54 | Bholi; Sangu Kashi Mi; Shrimant Mehuna |
| 55 | Pahije; Thamb Lakshmi Kunku Lavte; Suranga |
| 56 | Mhantyat Mala; Lav Kush; 1968: Balaram Shri |
| 57 | Krishna; Har Har Gange; Mata Mahakali; Ek |
| 58 | Gao Bara Bhangadi; Jivhala; 1969: Dongarchi |
| 59 | Films Division |
| 60 | 97 |
| 61 | to direct its star, Zubeida, at Orient and at |
| 62 | Kohinoor UA. Worked at the Directorate of |
| 63 | Services Kinematography, the film wing of the |
| 64 | armed forces during WW2, where he produced |
| 65 | P.V. Pathy’s documentaries. Went into radio in |
| 66 | the early 50s. |
| 67 | |
| 68 | FILMOGRAPHY : 1924: Chandan |
| 69 | Malayagiri; Mumbai Ni Sethani; Paap No |
| 70 | Pashchatap; Shahjehan; Paap No Fej; |
| 71 | Sanyasi; 1926: Yauvan Chakra; 1927: |
| 72 | Balidan; 1930: Devadasi; Veer Rajput; 1931: |
| 73 | Nadira; Diwani Duniya (all St); 1932: Shikari. |
| 74 | |
| 75 | [[Director]] |