| 1 | '''Naseem''' |
| 2 | |
| 3 | |
| 4 | 1995 89’ col Hindi |
| 5 | d/co-sc Saeed Akhtar Mirza pc NFDC/ |
| 6 | Doordarshan co-sc/dial Ashok Mishra |
| 7 | c Virendra Saini m Vanraj Bhatia |
| 8 | lp Kaifi Azmi, Mayuri Kango, Kulbhushan |
| 9 | Kharbanda, Surekha Sikri, Lalitmohan Tiwari, |
| 10 | Salim Shah |
| 11 | |
| 12 | |
| 13 | Understated but intense family drama set in |
| 14 | June-December 1992, the days preceding the |
| 15 | demolition of the Babri Masjid on Dec 6 by |
| 16 | Hindutva fanatics. Naseem (Kango) is a |
| 17 | schoolgirl belonging to a middle-class Bombaybased |
| 18 | Muslim family. She enjoys a warm |
| 19 | relationship with her aged, ailing grandfather |
| 20 | (Azmi). With increasing horror and foreboding, |
| 21 | the family watches on their television set the |
| 22 | news of the build-up at Ayodhya while the |
| 23 | grandfather regales Naseem with poetry and |
| 24 | stories of life in pre-Independence Agra, |
| 25 | shown in several flashbacks. Naseem’s brother |
| 26 | Mushtaq (Shah) tends towards desperate, |
| 27 | possibly terrorist measures of resistance which |
| 28 | pushes him towards Muslim fundamentalist |
| 29 | circles. The family feels increasingly |
| 30 | beleaguered by saffron-waving mobs and the |
| 31 | police who infest all public spaces. The |
| 32 | grandfather dies on December 6th, his death |
| 33 | coinciding with the news of the mosque’s |
| 34 | destruction. The film’s major feature, in |
| 35 | addition to its finely judged creation of moods |
| 36 | and its admirably controlled performances, is |
| 37 | noted poet and former radical Azmi playing the |
| 38 | grandfather, providing not just a reminder but a |
| 39 | literal embodiment of the cultural traditions |
| 40 | that were at stake in those tragic days. |
| 41 | |
| 42 | [[Film]] |