| 1 | '''Naresh Chandra Mitra (1888-1968)''' |
| 2 | |
| 3 | |
| 4 | Bengali actor and director born in Agartala, |
| 5 | Tripura. Law graduate from Calcutta University |
| 6 | but became a major stage star, starting at |
| 7 | Minerva Theatre (1922) with Chandragupta; |
| 8 | joined Star Theatre with Karnarjun (1923). |
| 9 | Acted in several plays for different companies, |
| 10 | mostly playing villains. Entered film to |
| 11 | complete Andhare Alo, begun by Sisir |
| 12 | Bhaduri. Then actor-director, first at the Taj |
| 13 | Mahal company, later at East India Film and |
| 14 | Priyanath Ganguly’s Kali Films. Style |
| 15 | dominated by Calcutta Theatres conventions |
| 16 | in themes commonly drawn from plays/novels |
| 17 | based on Rabindranath Tagore (e.g. Nauka |
| 18 | Dubi and Gora), Saratchandra Chattopadhyay |
| 19 | (Devdas), Anuroopa Devi and on his own |
| 20 | stage hits (e.g. Mahanisha, Banglar Meye, |
| 21 | Pather Sathi etc). Later films starring Uttam |
| 22 | Kumar (e.g. Bou Thakuranir Haat, |
| 23 | Annapurnar Mandir) provide rare examples |
| 24 | of a 30s stage style continued into post- |
| 25 | Independence Bengali film. Acted in several |
| 26 | films, such as those by younger Kallol |
| 27 | directors like Sailajananda Mukherjee (e.g. |
| 28 | Shahar Theke Dooray, Roy Choudhury). |
| 29 | Towards the end of his life, was most closely |
| 30 | associated with the folk Jatra. |
| 31 | FILMOGRAPHY (* also d): 1922: Andhare |
| 32 | Alo*; 1923: Maanbhanjan*; 1924: |
| 33 | Chandranath*; 1927: Durgesh Nandini; 1928: |
| 34 | Devdas*; 1929: Kapal Kundala; 1930: |
| 35 | Giribala; Kal Parinaya; 1931: Debi |
| 36 | Choudhrani; Bibaha Bibhrat; 1932: Nauka |
| 37 | Dubi* (all St); 1933: Sabitri*; 1935: Prafulla; |
| 38 | 1936: Mahanisha*; Pather Sheshey; Chino |
| 39 | Haar; 1938: Gora*; 1939: Sharmishtha*; |
| 40 | Chanakya; 1941: Kavi Joydev; Pratishodh; |
| 41 | Banglar Meye*; 1942: Pativrata; Bondi; |
| 42 | Meenakshi; 1943: Swamir Ghar; Shahar |
| 43 | Theke Dooray; 1944: Samaj; 1945: Bondita; |
| 44 | 1946: Nivedita; Pather Sathi*; 1947: |
| 45 | Swayamsiddha*; Roy Choudhury; |
| 46 | Swapna-o-Sadhana; 1949: Bidushi Bharya*; 1950: |
| 47 | Kankal*; 1951: Niyati*; Pandit Moshai*; |
| 48 | 1953: Bou Thakuranir Haat*; 1954: |
| 49 | Annapurnar Mandir*; 1955: Kalindi*; 1957: |
| 50 | Ulka*; 1960: Khudha; 1961: Maa; 1968: |
| 51 | Parishodh. |
| 52 | |
| 53 | [[Actor]] |
| 54 | |
| 55 | [[Director]] |