Changes between Version 3 and Version 4 of Nandlal Jaswantlal


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Timestamp:
Jul 3, 2013, 7:02:17 AM (7 years ago)
Author:
UshaR
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  • Nandlal Jaswantlal

    v3 v4  
    1111work with Jaswantlal. Left to make a tour of 
    1212Europe (1934); then joined [[Imperial Films|Imperial]] (1934-6) 
    13 where he directed [[Sulochana]] in several 
    14 remakes of her own [[R.S. Choudhury]] and 
    15 [[Bhavnani]] silent hits. Worked briefly in Madras 
     13where he directed [[http://en.wikipedia.org/wiki/Sulochana_%28film%29|Sulochana]] in several 
     14remakes of her own [[ 
     15http://en.wikipedia.org/wiki/R.S._Choudhury|R.S. Choudhury]] and 
     16[[http://en.wikipedia.org/wiki/Bhavnani|Bhavnani]] silent hits. Worked briefly in Madras 
    1617running a film laboratory (1937), then returned 
    1718to direction. Silent work influenced by 
    1819Gandhian nationalism. Best known for his later 
    1920[[Filmistan]] musicals: [[Anarkali]] (with Bina Rai 
    20 and music by [[C. Ramchandra]]) and [[Nagin]] 
    21 (with [[Vyjayanthimala]]), one of the biggest 
     21and music by [[http://en.wikipedia.org/wiki/C._Ramchandra|C. Ramchandra]]) and [[Nagin]] 
     22(with [[http://en.wikipedia.org/wiki/Vyjayanthimala|Vyjayanthimala]]), one of the biggest 
    2223post-Independence musical hits. Admired for 
    2324his sophisticated lighting (with cameraman