| 1 | '''Nagerkoyil Sudalaimuthu Krishnan (1905-57)''' |
| 2 | |
| 3 | Legendary Tamil film comedian, stage actor |
| 4 | and political activist. Born in Nagerkoyil, in |
| 5 | former Travancore. Joined the TKS Brothers |
| 6 | drama troupe aged 17, replacing the comedian |
| 7 | and film star M.R. Swaminathan (seen in e.g. |
| 8 | 1000 Thalaivangi Apoorva Chintamani, 1947). |
| 9 | Was already a noted stage star when débuting |
| 10 | in the TKS Brothers production of Raja |
| 11 | Sandow’s Menaka. Early films with Sandow |
| 12 | (Vasantsena, Chandrakantha) where he met |
| 13 | his wife and long-term comedy partner T.A. |
| 14 | Mathuram (1918-1974). Played the lead role in |
| 15 | Alibabavum 40 Thirudargalum, establishing |
| 16 | his distinctive brand of comedy. Classic screen |
| 17 | image developed Kattiyankaran folk theatre |
| 18 | conventions with a separate sub-plot and |
| 19 | spoken dialect as opposed to the high-flown |
| 20 | Elangovan-type language (e.g. playing |
| 21 | fishermen with T.S. Dorairaj in Shakuntalai; |
| 22 | Mudhal Thedi). In this style, the comedian |
| 23 | can address the audience directly and allude to |
| 24 | topical events (e.g. his funny song in |
| 25 | Paithiakaran, referring to his jail sentence; his |
| 26 | lines in the costumed period movie Amarakavi |
| 27 | referring to a recent visit to the USSR). The style |
| 28 | is enhanced by the comic but politically |
| 29 | strident lyrics of Udumalai Narayana Kavi, |
| 30 | written specially for Krishnan (e.g. |
| 31 | Nallathambi). Initially a Marxist sympathiser |
| 32 | and a friend of Pa. Jeevanandan (whom he |
| 33 | sheltered when the CP was banned), Krishnan |
| 34 | became first a nationalist and then a DMK |
| 35 | supporter, producing C.N. Annadurai’s DMK |
| 36 | Film Nallathambi, directing Panam and acting |
| 37 | in the Karunanidhi-scripted Raja Rani and |
| 38 | Rangoon Radha. Together with M.K. |
| 39 | Thyagaraja Bhagavathar, he was convicted |
| 40 | of murdering the gossip columnist |
| 41 | Lakshmikantan although he proclaimed his |
| 42 | innocence all his life. His wife started the |
| 43 | N.S.K. Nataka (aka Eneskay Nataka Sabha) |
| 44 | staging plays mainly directed by and featuring |
| 45 | the star S.V. Sahasranamam. Their best-known |
| 46 | play is P. Neelakantan’s nationalistic Nam |
| 47 | Iruvar, later filmed (1947) by the AVM Studio. |
| 48 | The company débuted in film production with |
| 49 | Paithiakaran; their best-known productions |
| 50 | are Nallathambi and the Krishnan-directed |
| 51 | Manamagal and Panam. Panam, a major |
| 52 | DMK film, featured the Parasakthi (1952) |
| 53 | combination of writer Karunanidhi and star |
| 54 | Ganesan while Krishnan sang a pro-DMK |
| 55 | song. It also featured documentary footage of a |
| 56 | DMK Party conference. Biography by |
| 57 | Narayanan (1992). |
| 58 | |
| 59 | ''' |
| 60 | FILMOGRAPHY''' (* also d): 1935: Menaka; |
| 61 | 1936: Vasantsena; Chandrakantha; Sati |
| 62 | Leelavathi; 1937: Ambikapathy; Balamani; |
| 63 | 1938: Dakshayagnam; 1939: |
| 64 | Thiruneelakantar; Maya Machhindra; |
| 65 | Manikavasagar; Ramalinga Swamigal; |
| 66 | Rambayin Kadhal; Sirikathe; Ananda |
| 67 | Ashramam; Prahlada; 1940: Bhakta Tulsidas; |
| 68 | Naveena Tenali Raman; Parasuramar; |
| 69 | Naveena Vikramadithan; Budhiman Balwan |
| 70 | Ivan; Kalamegham; Mani Mekalai; Bhuloka |
| 71 | Rambha; Shakuntalai; Uthama Puthran; 1941: |
| 72 | Alibabavum 40 Thirudargalum; Ezhanda |
| 73 | Kadal; Ashok Kumar; Vedavathi; Aryamala; |
| 74 | Krishnapidaran; Chandrahari; 1942: |
| 75 | Kannagi; Prithvirajan; Sivalinga Satchi; |
| 76 | Manonmani; 1943: Arundhati; Sivakavi; |
| 77 | Mangamma Sapatham; Bhagya Lakshmi; |
| 78 | 1944: Burma Rani; Mahamaya; Bhartrahari |
| 79 | (Tam); Jagathala Prathapan; Prabhavati; |
| 80 | Poompavai; Raja Rajeshwari; Haridas; |
| 81 | Salivahanan; Kalikala Minor; Palli Natakam; |
| 82 | Soora Puli; 1945: Paranjoti; Bhakta Kalathi; |
| 83 | Srivalli; 1946: Pankajavalli; 1947: |
| 84 | Paithiakaran; Kannika; 1948: Devadasi; |
| 85 | Chandralekha; Krishna Bhakti; 1949: |
| 86 | Nallathambi; Ratnakumar; Mangayar Karasi; |
| 87 | Inbavalli; Pavalakkodi; 1950: Laila Majnu; |
| 88 | Parijatham; 1951: Manamagal/Pelli |
| 89 | Koothuru*; Vanasundari; 1952: Panam*; |
| 90 | Amarakavi; 1954: Nallakalam; 1955: Mudhal |
| 91 | Thedi; Kaveri; Nam Kuzhandai; Dr Savithri; |
| 92 | Stree Ratna; 1956: Raja Rani; Nannambikkai; |
| 93 | Asai; Madurai Veeran; Kannin Manigal; |
| 94 | Kudumba Vilakku; Rangoon Radha; 1957: |
| 95 | Chakravarthi Thirumagal; Pudhu Vazhvu; |
| 96 | Yar Paiyan; Ambikapathy; 1959: |
| 97 | Thangapathumai; 1960: Raja Desingu; |
| 98 | Thozhan; 1961: Arasilankumari. |
| 99 | |
| 100 | [[Actor]] |