| 1 | '''Naan Petha Magane''' |
| 2 | |
| 3 | |
| 4 | 1995 127’ col Tamil |
| 5 | d/s V. Shekhar pc Kannappan lyr Vali |
| 6 | c Rajendran m Chandra Bose |
| 7 | lp Nizhalgal Ravi, Urvashi, Radhika, Manorama, |
| 8 | Kovai Sarala, Radhabai |
| 9 | |
| 10 | When Andal’s (Manorama) only son Ravi (Ravi) |
| 11 | grows up, she dominates every aspect of his |
| 12 | life fearing that he might fall for a modern |
| 13 | woman who, in turn, might threaten Andal’s |
| 14 | control over her domestic space. She makes |
| 15 | her son marry Uma Maheshwari (Urvashi), a |
| 16 | docile maid-servant. When Uma demonstrates |
| 17 | some tendencies towards independence, Andal |
| 18 | forces her daughter-in-law to commit suicide. |
| 19 | Andal is arrested, but acquitted in court even |
| 20 | though her own son believes her guilty. |
| 21 | Although initially received with some protest, |
| 22 | the film went on to become a major hit mainly |
| 23 | with urban middle class audiences responding |
| 24 | e.g. to Uma’s dialogues to her mother-in-law |
| 25 | like ‘Since you feed and dress and bathe your |
| 26 | son, why do you give me the mangalsutra, you |
| 27 | could have worn it yourself’ (i.e. you could |
| 28 | have married your son). |
| 29 | |
| 30 | [[Film]] |