| 1 | '''Murugadasa (b. 1900)''''''''' |
| 2 | |
| 3 | |
| 4 | Pioneering Tamil director and producer, |
| 5 | originally A. Muthuswamy Iyer. Graduate from |
| 6 | St Joseph’s College, Tiruchi; journalist for The |
| 7 | Mail, Madras; edited the film journal Sound |
| 8 | and Shadow, one of South India’s first English |
| 9 | film journals. Assisted Baburao Pendharkar |
| 10 | in Prabhat’s Tamil film Seeta Kalyanam |
| 11 | (1933), making his début with cameraman |
| 12 | Ramnoth and set designer A.K. Sekhar. The |
| 13 | trio then started the influential Vel Pics in |
| 14 | Adyar, Madras: e.g. Markandeya and later |
| 15 | Paduka Pattabhishekham (co-d Ramnoth), |
| 16 | which introduced the actor, musician and |
| 17 | director S. Balachander who played a |
| 18 | magician in the film. Started the Karthikeya |
| 19 | Films Studio (1937) but returned to journalism |
| 20 | when it burnt down. His best-known film is |
| 21 | Nandanar, a reform drama addressing |
| 22 | Untouchability and featuring the Carnatic |
| 23 | musician Dandapani Desigar. Worked with the |
| 24 | Cine Technicians’ Association, editing their |
| 25 | journal, apparently living on Union premises. |
| 26 | |
| 27 | |
| 28 | '''FILMOGRAPHY:''' 1935: Bhakta Ramadasa; |
| 29 | Markandeya; 1936: Paduka Pattabhishekham; |
| 30 | Pattinathar; 1937: Sundaramurthy Nayanar; |
| 31 | 1940: Urvashi Sahasam; Bhakti; 1941: |
| 32 | Venuganam; 1942: Nandanar; 1948: |
| 33 | Gnanasoundari. |
| 34 | |
| 35 | [[Director]] |
| 36 | |
| 37 | [[Producer]] |